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Saturday, May 31, 2008

Stolen Art Watch, Gardner Art in Play, Catholic Confession Box Discovery Imminent !!




Art Hostage has had it confirmed by a confidential source that two or three of the stolen Gardner paintings are in play and the subject of negotiation's.

Instead of acting, as in the past, like the Grand Old Duke of York, whereby negotiation's break down, Art Hostage is taking charge, right here, right now !!!!
(1) The main priority of this is the safety of all concerned.
(2) The recovery should only be conducted in a Discovery fashion, not a Handover, as these always end in arrests and possible damage to the artworks.

(3) Place where the Gardner paintings can be discovered that leaves no trace, no CCTV,

Catholic Church confession box. Plenty to choose from around Boston and the Burbs.

(4) Payment of reward.

Now this is something that has to be worked out by those who have these two or three Gardner paintings and Anthony Amore, Boston 6172785114.

(5) Art Hostage assures those with these Gardner paintings that if they place them in a Catholic Church Confession box and allow them to be discovered, there is no possibility of arrest in possession of stolen Gardner art.


Finally, yes getting paid the reward is difficult but I am sure it can be worked out with Anthony Amore.

Update:

If we are talking the Rembrandt Storm on the Sea of Galilee, please treat it with care, and if you look on the back you will notice the old repair, curved, shaped like a capital L, the protective wax and varnish should have stopped it getting damaged, but this painting really needs to be in the restorers workshop, as does the other Rembrandt, A Lady and Gentleman in Black, as you will see if you are in possession.


Update, Update:

It sometimes takes serious illness to realise the magnitude of ones power and the power to influence people.

"nanos gigantum humeris insidentes"


"Sir, you stand on the shoulders of Giants"

Art Hostage has the task of safe recovery without arrests.

Saturday, May 24, 2008

Stolen Art Watch, Vermeer, Gardner Art in Ireland Missed by hours, June 18th 2007 !!


After consulting with those in the know within the Underworld, Art Hostage has further news on the Gardner Art Heist investigation.

First a little history lesson.

In 2002 Anne Hawley, Director of the Gardner Museum, was in London and met with Mark Dalrymple, of Tyler and Co, Art Loss Adjusters.

At that meeting Mark Dalrymple offered to recover the stolen Gardner art on two conditions:

(1) All media reports about the Gardner Art Heist were to be stopped for a period of two years.

(2)Once recovered, the Gardner art reward of $5 million would be payable to Mark Dalrymple, owner of Tyler and Co the Art Loss Adjusters.

Anne Hawley, Director of the Gardner Museum could not offer any conditions, especially about payment of the reward. Mark Dalrymple came to the conclusion the reward offer was bogus.

Furthermore, Anne Hawley also met with Dick Ellis ex-head of Scotland Yards Art and Antiques Squad whilst in London 2002 and Dick Ellis also offered to help locate the stolen Gardner art if the $5 million reward could be made available post recovery.

Again Anne Hawley declined the offer and Dick Ellis came to the same conclusion as Mark Dalrymple, the reward offer was bogus.

It has to be remembered that both Mark Dalrymple and Dick Ellis are on the side of law enforcement thus payment of the $5 million reward would be lawful.

Moving on to the fall of 2006, Anthony Amore is the Gardner Museum Head of security and point man.

An Underworld informant gets information the stolen Vermeer/some Gardner art is being held in Galway Ireland. The FBI mount a sting operation and head for Galway. Those with the stolen Vermeer see right through this sting and it is only after a warning was given that the FBI called off the sting as there would have been a gun battle and the loss of the Undercover FBI Agent.

The FBI headed back to America with their tails between their legs having failed again to sting the people with the stolen Vermeer /some Gardner art.

However, not to be deterred, the FBI mounted another sting in 2007 when they learnt from ***** that the stolen Vermeer/ some Gardner art has been retrieved from the people who were holding it as collateral as that debt was paid in full.

Now, a deal was offered whereby the Vermeer and co would surface and a nominee would come forward to collect the reward.
That deal was rejected by Irish Police and the FBI so on the 18th June 2007 Irish Police raided two addresses in County Waterford (1) John O’Donoghue (aged 27) of Clonard Park, Ballybeg, Co Waterford (2) James Butler (aged 55) of Ardmore Park, Ballybeg, expecting to find the stolen Vermeer and co.

Apparently the Irish Police, with the FBI bringing up the rear, missed the Vermeer/ some Gardner art by hours, as it was again used as collateral for drug deals and moved just before the raid. However, a number of these drug deals have been intercepted with the help of a top informant so as to try and squeeze the Underworld into making a mistake allowing the stolen Vermeer/some Gardner art to be recovered.



Subsequently, there was another attempt to return the stolen Gardner art via a Catholic Church Confession box, with the Catholic Priest claiming the reward late 2007, early 2008.

Again the Irish Police and FBI rejected this out of hand, not offering anything in return, the stand off continues.

The latest spin being offered to those with the Gardner art is they better be careful as both Irish Police and the FBI are closing in and it would be better to just hand back the stolen art than get caught with it.

To sum up, Anthony Amore is a stand up guy, a real gentleman, who would dearly love to pay the reward, however, there is not a chance in Hell authorities will allow this to happen and if Anthony Amore did go out on his own and recover the stolen Gardner art and pay the reward he would find himself facing serious criminal charges.



"If you strike us, imprison, or kill us, out of our prisons or graves, we will evoke a spirit that will thwart you, and perhaps, raise a force that will destroy you!
We defy you! Do your worst!"
(James Connolly)

With quotes like the above, no wonder the Irish Police and FBI always seem one step behind in recovering the stolen Vermeer/some Gardner art. These guys are the real deal, true masters of disaster, kings of sting, whose belief in their Irish Republican aspirations far outweigh any poultry reward offered.
Art Hostage has tried to offer an avenue for the Gardner art to surface, Catholic Church confession box, it is the Irish Police and FBI who refuse to accept this middle way.
I will give further details of who, where, and when later.

Boy, is this to be continued..........

Thursday, May 15, 2008

Stolen Art Watch, Turners Sting, in a Long Tail, Indictments Prevail !!


Kunstraub
Prozessauftakt im Frankfurter Kunstraub von 1994


Before the Frankfurt district court must have been today two suspected handlers responsibility. They should in 1994 from the Frankfurt Museum Schirn Leihwerke stolen by William Turner and Caspar David Friedrich's original museums offered for sale.

Nearly 14 years after the spectacular art robbery in Frankfurt's Schirn museum since Wednesday, two alleged handlers in court.

The public prosecutor accused the 60-year-old Joseph S. and the 64-year-old K. Hartmut to launch the process before the District Court of Frankfurt am Main blackmail. They are two of the three stolen pictures of the Tate Gallery in London to buy back and offered five million euro ransom.
Stolen were on the night of 28 July 1994 two works by William Turner with the titles "Shade and Darkness (shadow and darkness)" and "Light and Colour (light and color), which is regarded as loans from the Tate Gallery in the Frankfurt exhibition" Goethe and Art "came , And "fog" by Caspar David Friedrich - this image contributed Hamburger Kunsthalle. The three images had an insured value of a total of 35 million euros.

Four offenders had the alarm system was turned off and then on the freight elevator in the Kunsthalle reached. They overwhelmed a guard, tied him and took him the keys. The three images transported in a small truck.

One of the perpetrators concerted according to the indictment car dealer Joseph S., that he should keep the stolen property. But this had a garage in Frankfurt-Bornheim rented. First sales failed attempts in 1995.

Advocate sued Kunsthalle

In February 1999 the court sentenced two robbers Frankfurt handlers and a. A 31-year-old courier driver received a prison sentence of eleven years and a 29-year-old fruit seller eight years in prison A 33-year-old driver was sentenced to two and a half years for favouring convicted. He had a covert police investigators of the two Turner images for ten million U.S. dollars offered for sale. The perpetrators had their backers not betrayed, and the images were initially disappeared.

Only in the years 2000 and 2002 appeared masterpieces by Turner again. The Frankfurt lawyer Edgar Liebrucks acted as middle-men. The Tate Gallery for the pictures to be five million euros have paid, the lawyer received 320,000 euros commission. In July 2000, "Shade and Darkness" back to London, in December 2002 "Light and Colour".

In January 2003, the Hamburger Kunsthalle the painting "fog" for 1.5 million euro ransom and 250,000 placement fee. Attorney Liebrucks paid the vendors' own figures, 250,000 euros for the picture and gave it in August 2003 to the Hamburger Kunsthalle, which it with the replacement task. Liebrucks sued the Kunsthalle later successfully agreed on payment of 250,000 euros.

According to the indictment had alleged handlers for their business off to Brazil. There they were arrested in February 2007. Josef was on 11 p. October 2007 delivered to Germany, Hartmut K., 23 January this year.


Art Hostage comments:

Backstory:http://msn-list.te.verweg.com/2005-November/003925.html

Follow up:http://arthostage.blogspot.com/2006/11/recovery-of-tate-turners-investigated.html

Sorry for the lack of good grammar but the article above is a direct translation from German.

The story is the two men responsible for returning the Turners have now, after six years, been charged for the offence of blackmail.

This should be a warning to those who seek to return stolen art for reward monies alone.

Previously this Turner case was held up as an example of how stolen art can be ransomed back to the insurers or victims.

Millions of euros was paid and everyone thought the bad guys had won.

However, as with all stolen art that is returned without Police co-operation and involvement, there is always a sting in the tail, be it after one year, or as with this case, six years.

Upon another note, I do wonder if others involved in the Turner recovery may be indicted, or at the very least exposed for their criminal actions ??


The lawyer who facilitated the return of the Turners, Edgar Liebrucks, successfully sued in court last year for the payment of 250,000 euros and seems to have escaped any indictments, at this stage.

Moral of this story is whenever stolen art is returned there will always be a sting in the tail, however long it takes after the initial recovery.

So, anyone negotiating the return of stolen art beware, it's a
"Sting, sting, sting, you morons !!"

When in doubt, leave it out, walk away and live to fight another day.

Saturday, April 12, 2008

Stolen Art Watch, Pope "Benny the Rat" Visits America, Gardner Art to be Recovered !!



Cardinal Sean P. O’Malley says he, too, is “disappointed” Pope Benedict XVI won’t be visiting Boston on his first U.S. trip, but believes the pontiff’s American sojourn will “strengthen and encourage” American Catholics in the wake of the church sex abuse crisis.

“The mistakes of the past must be avoided,” O’Malley told the Herald yesterday, four days before he will leave to greet Benedict in Washington , D.C. “I’m sure the Holy Father’s message will be along those lines . . . a call for reconciliation and for a desire to bring people together and to call people to healing.”

In an interview yesterday , O’Malley talked about what his role will be in Benedict’s first visit, including a birthday lunch with the pontiff, about the disappointment he felt when he found out the Holy Father would not visit Boston and about the hope he has for the visit

Benedict, who will turn 81 during his visit, arrives Tuesday for a six-day trip to Washington and New York.

Last week, the Vatican announced that Benedict would deliver a message of “trust and hope,” and seek to heal wounds left by the pedophile priest scandal, which was first exposed in Boston.

Some speculated that Benedict isn’t visiting Boston because it would shine a spotlight on that ugly scandal, but O’Malley said Benedict’s age and the sheer number of requests he receives played more of a role.

O’Malley said he has no doubt Benedict will address that painful chapter in American Catholicism.

“The Holy Father is very aware of the situation in the United States . . . so I was certain that whether he came to Boston or not, he would certainly address this very important issue,” he said. “He knows our situation, our pastoral needs, so of course he would want to speak to us about these very important issues in our lives.”

The Archdiocese of Boston received 3,000 tickets for next Sunday’s Mass at Yankee Stadium, and demand for those tickets remains high.

O’Malley will share several moments with Benedict, including the Wednesday lunch, a visit to the White House and Mass celebrations in Washington and New York.

O’Malley will also see the pontiff off during a farewell ceremony at JFK International Airport.

O’Malley said he hopes Catholics “won’t just be caught up in the event” of the pope’s visit, but will“carefully analyze what his message is.”

“I’m urging everyone to be very attentive and be reflective.”


The Pope's Visit, Is It Less Than Welcome?

Diary Entry by Professor Emeritus Peter Bagnolo
http://www.opednews.com/maxwrite/diarypage.php?did=6926

The Pope will again visit GW Bush, and probably not Boston. The Boston diocese has gone bankrupt defending Pedophiliac priests, so he is avoiding them. Instead he visits the mass-murderer he supported as president who is responsible for 1.5 million murders of Iraqi's, as well as 4.2 million Iraqi Diaspora, 4 million casualties and 3.5 million virtually homeless, and countless rapes and other abuses of human rights. That makes a lot of moral sense, does it not?

::::::::

The Pope's Visit, Is It Less Than Welcome By Catholics?
There are somewhat more than 1.1 billion Catholics in the world and 67 million reside in America. Many of them, had they been allowed to vote would not have chosen Benedict. The Prophet Samuel, David's discoverer, was told when God chose the young David, "God does not choose as men would choose." Had God chosen a pope, my guess is that He would have chosen another like David; smart, attractive, strong and very much interested carnally in the opposite sex.

"Conservative Catholics" were expecting a bit more of this pope; after all, he was a conservative himself. They wanted him to breath fire and brimstone at slackers-Catholics, which "live in sin," a thing my generation, truly made a religion of. Our motto, if we can't have polygamy, we can have serial polygamy, like the Samaritan Woman at Jacob's Well-and why not, she became his prophetess guiding the entire town to him, didn't she? Her serial polygamy (five husbands and living with a guy to which she was not married...yet) gained her many friends.
Well, apparently. The pope did not cast out many Catholics, but he did threaten those who might vote for the Democrats who favored abortion and it was enough to give Bush victory in both elections.

The Conservatives missed one point, however, a point they and especially the recently late William F. Buckley, Jr seems to have missed in his 80 plus years on the Planet Earth. Maybe now that he is no longer here, but elsewhere, someone has made that perfectly clear to him. It is completely impossible to be a Christian and a Conservative because Jesus was a Flaming Liberal and his "way" which is made up of going softly on prostitution and women Like The Samaritan Woman at Jacob's Well, and echoing the Sermon on the Mount, a Constitution for Liberals. Jesus was going MLK one better, by attacking racism, 2000 years ago, in his story John 4:4-42 and his story of the Good Samaritan.

However, conservatives are like that. They have a way of melting their selfish desires into Christianity and somehow deluding themselves that God is winking at their twisted view of Jesus' ideals. In Jesus' day, hugging a Samaritan, or displaying one in a sympathetic light and even as a hero of holiness, superior to that of the workaday Jew, was to those Hebrew Conservatives, especially the Herodian Priests who owned land, and like "Catholic Conservatives," (an Oxymoron) an undeniable delusion. Especially after they killed Jesus, who was at least the highest Prophet of God if not the adopted or spiritual Son of the Most High.

More than that, the pope seems publicly unaware that Jesus was a flaming Liberal and had been crucified not for religious reasons but for the same reasons conservatives always frame Liberals, for reasons that he was about to expose heavy profits from land-graft. He wanted to introduce The Year of The Lord, translate as: The Jubilee Year, now do you get it? It meant that a number of Herodian Rabbis would be found to own land, a thing forbidden to them. Worse, they were most likely doing so with the cooperation of second and third tier Roman petty officials.

For the Herodian priests who claimed that the not owning land demand was a mistranslation or misinterpretation, what it really meant was they could not work the land! So, they had agents for that aspect of their hidden graft. Why? The Year of The Lord, ala The Jubilee Year, meant that all land bought for taxes, foreclosed upon, had to be, at the close of the 49th year, and the rising sun of the 50th year had to be returned to the family from which it was foreclosed upon, from. This would cost the Herodian Rabbi's and their buyer's huge profits, and the rabbi's and their corrupt Roman officials their skins, literally.

Well the good news was if caught, the Herodian Rabbis would only get their throats slit by the Zealots or some other Jewish Revolutionaries, nothing compared to what Rome would slowly do to the Roman citizen officials-translate as skinning alive, being fed to loins, or burned at the stake or, and this is where it really gets dicey, (Literally) while still alive, drawn, quartered, sliced, diced and before that the other three horrors but only a little of each as sort of an appetizer-three or four appetizers.

Well, no matter, because we must lay a solid share of the blame at the feet of, and/or upon the head of the present Pope, who reversed the public renouncement by his predecessor against those who initiated this war. However, I am certain that the "Faith-Based Initiatives" (Translate that as bribes) offered by Bush for votes, (Initiatives which never surfaced) had little to do with the pope's letters to American Bishop's directing them to inform parishioners that voting for those who did not condemn abortion, or which supported it, could not, in fact, call themselves Catholic.

Neither do I support abortion, but many others and I foresaw the destruction of the most just system on the planet. We foresaw, the tens of millions of Americans thrown out of work and losing healthcare benefits for their families, who if they were lucky enough to find new jobs, found themselves competing with college and high school students for salaries 75% lower than their previous jobs but without benefits.

They saw their descendants facing unhealthier lives, shorter life expectancies, and their hopes for college dashed, resulting in more than 150,000,000 of future generations of their seed living in a Medieval, feudal economy, of near slave labor, their freedom rescinded by fascist rule, where incarceration sans Habeas Corpus, deportation "rendering" to torture laden concentration camps, where the Geneva Convention is mocked and inhuman suffering is hidden from public view and the Red Cross are ostracized.

We could/should easily forgive the present pope for a youthful indiscretion, even a youthful abomination, borne of teenage zeal and misbegotten patriotism, even of lack of foresight, due-diligence and Unenlightenment, and/or perhaps misguided by those who should have known better, to allow such a boy, at such a tender age, to join the Hitler Youth Movement and then the military. (But perhaps he was conscripted, rather than volunteered?).

We give him the mitigation of youth, during which many of us made grievous, though temporary errors not repeated once past pre-puberty. I myself once slept with four co-eds, one from each race, at the same time when I was 19, and did proper contrition for the offense, but have not done so since (Probably couldn't physically, even if I wanted to, as I am now farther from 19 than 19 is from zero). However, to write as Cardinal and again as pope to support a party and a man so obviously displaying all the signs of a pathological liars and of fascism, to support a man whose actions this pope's predecessor sharply condemned right to his face, is inexcusable.

What is even less excusable is this pope's ignoring the actions taken since his foolish, teen-aged lack of judgment. He has never, to my knowledge apologized either to the people of America or the people of Iraq for his lack of foresight-foresight many, much younger and less educated than he, but obviously more blessed with clairvoyance, and therefore, by the churches own definition of Enlightenment, more in a State of Grace.

Not, to my knowledge, has this pope publicly confessed his sin, his rank insensitivity, nor has he shrouded himself in sackcloth and ashes, torn out his hair, and begged humbly and publicly for forgiveness, and even now, at this late date, he has failed to condemn this president and this fascist regime which has stolen the Republican Party and ruined two nations and plans to ruin several more, one of which is decidedly Catholic.

This pope supported a candidate for President, whose ancestors lent Adolph Hitler millions of dollars between 1932 and 1942*, to build factories and "infrastructure" and we all know what part of that infrastructure was, ovens and pesticide showers, torture and concentration, Death camps. All that from the firms of Brown Brothers, Harriman* and UBC, managed by Prescott Bush*, "Bunny" Harriman and assisted by Walker, which capital and stock was confiscated by the Congress for "trading with the enemy". The firms employed three Nazi's overseas and held $3,000,000 in escrow for another, here in America. Although the lending began long before the USA entered the war, it was plain to many here and overseas, exactly what was brewing in Nazi Germany from, at least, the late 1920's onward.

Did this pope, in his youth fight against the Nazi's, and renounce them? No, in fact, he was a part of the Nazi youth movement and fought in WWII against the USA and all of those who hated what the Nazi's supported; which included; torture chambers at prisons and Concentration Death Camps, hideous experimental drugs and surgeries, political assassinations, abortions and sterilization of those pregnant, who were less than pure Aryan descent, most of which were Jews, the inhuman mass murders of several million Jews, Poles and others as well as the mass burials and Incinerations, preemptive war, Capital Punishment, destruction of German Habeas Corpus and wanton murder, kidnapping and private, and some mercenary, Secret Police. (Sound vaguely and currently familiar?)

Now he supports G W Bush, who his predecessor was enlightened enough to severely admonish.

Any one, and all of the horrors Hitler and now the Bushites have done are horrific to those of conscience, and were apparent before the election to those of foresight and spiritual Communion, and/or God Blessed, commonsense. (Is there anything Hitler has done Bush has not, given time, scale and opportunity?) Any and all of the things I mentioned above are things are reprehensible to men and women of foresight, vision, interior revelation, Bestowed Enlightenment, Infused Contemplation, and/or Enlightenment by The Holy Spirit, why not to a pope? What prompted this pope to support a president and a party which his predecessor condemned publicly to his face, (and in the presence of the First Lady), a president whose actions even his own non-Catholic, pastor condemned?

What prompted this pope to send letters to American Bishops, which, in essense, threatened defacto Excommunication of those who voted for a Democrat? Those who recognize the truth, see all of this as the replay of an ever-present cosmic battle, same souls, same angels, same demons, only with different faces different names and more money, and in a different country.

Instead of their last incarnation in Nazi Germany, now the enemy lives in America, the nation which destroyed Nazi Germany and its leadership, and they have been successfully supported by the same sort of people who supported their rise in Nazi Germany, and they all wish to make America, which is/was, the land of the free the home of the brave, into, Fascist Corporate America, the home of the brutal, the land of the Feudal Economy slave. Good Luck with that one, maybe it will do what the Democrats failed to do, awaken the indolent to vote.

Jerry Fallwell and Pat Robertson had proven to be a non-sequitar, a post hoc ergo propter hoc, argumentum ad ignorantiam, a bifurcation, a tu quoque, a hypothesis contrary to fact!

If killing prophets, faking miracles, and leading terrorist attacks are not hypocritical and blasphemous, I know not what is. Fallwell 's very utterances were enough to bring down upon us the Wrath of God. Now we have the pope refusing to condemn the Bushite fascists.

Perhaps Pope Benedict XVI should get down on his knees and repent, as I had suggested Jerry Fallwell do on May 13th 2007, for supporting a mass-murderer, a stealer of oil, a warmonger, or face Divine Corrective Measures or Divine Punishment.

Perhaps as penance he could give alms to the people of Iraq and to the people in the USA who lost loved ones or whose loved ones were wounded or injured in connection with the "war" in Iraq.

Professor Bagnolo is a Renaissance man: Cultural Anthropologist, Architectural designer, painter, writer, novelist, theologian. As a child prodigy, abed with polio for almost two years, with an off the charts IQ, reading at the graduate level by 5th grade, offered an opportunity to skip three grades at age 8.
Later He was a recipient of an Art Institute scholarship at age 11, a Ford Foundation Fellowship in Anthropology and in Painting and a merit scholarship in art, and was appointed a Graduate Research Assistant position in college. He holds a triple bachelor's degree in Painting and Drawing, Anthropology, Architectural Design Advertising. MA's in Cultural Anthro, Painting and more.

After being tenured he taught; architecture, anthropology, Theology, advertising, painting and drawing, entrepreneuring and Creative Profit Making. He produced a star-studded Music festival, had a radio talk show in Chicago, and cable TV show. Now, retired from Teaching, he paints, writes, and pursues other ventures.

Art Hostage comments:
If all of the above is true then the current Pope, "Benny the Rat" is just the type of go-to guy needed to recover the stolen Gardner art.
This current Pope does exactly what he says on the tin, "I'm an extreme Right wing Neo-con Theologian, who's views are widely known and can be counted on to practice exactly what I preach", could be printed on his calling card.
No hiding behind a Liberal cloak, no Wolf in Sheep's clothing, a genuine 24 carat gold clunking fist of right wing dogmatic dogma that will see the Catholic church revert to its founding principals.
Catholics who disagree get out of the way as the Neo-con Juggernaut storms through with "Shock and Awe" !!

Affectionately known throughout the global Underworld as
"Benny the Rat", the current Pontiff can, if so disposed, recover the stolen Gardner art whilst in the U.S.

How, I hear you ask, well, if the paintings that remain located in the Boston area are deposited in a Catholic church confession box during the Pope's visit, the Priest have been given the all clear to claim the reward without revealing the identity of the returnee.

There may be some minor cost taken from the reward for the Catholic church and even an audience with the Pope as a thank-you.

Art Hostage realises not all the stolen Gardner art is still within the Boston area but from Small Acorns grow big Oaks.

Now, those with access to the stolen Gardner paintings take note !!

If you get down to your local Catholic church, take confession, even if you are not exclusively Catholic, the Priest will take possession of the Gardner paintings, Anne Hawley and Anthony Amore will race to the Catholic church and confirm the paintings to be authentic, and then, they will duly go to the bank and withdraw the reward money and give it to the Catholic priest.

The returnee of the Gardner paintings will be paid within 24 hours and only then will the story break, with the headlines:

"Gardner art discovered in Catholic Church Confession Box,"

The public reason given will be the paintings were returned to mark the visit of the Pope, and the returnee will get a private confession with the Holy Father if required.

Now, Art Hostage has spent a great deal of time convincing Benny the Rat to play ball and this offer is only open as long as the Pope is on American soil.

Better still, if you want to test this offer out, just go along to your Catholic church confession box without the Gardner art and ask the Priest about the Art Hostage plan.

The Priest will confirm he is authorised from Rome to recover the Gardner art without revealing the source and is able to claim and collect the reward and, here's the kicker, pass it on before going public.

O'h, you're wondering about the Feds and law enforcement, they have been told to stand aside and allow the Gardner art to be recovered via a Catholic church confession box.

Why would the Pontiff agree to the Art Hostage plan ?

Well, the recovery of stolen Gardner art is the first baby step on the long road to recovering faith in Boston, an Olive branch of sorts.

Reality is, Catholic church gets good publicity after a sea of bad publicity to complement the visit of Pope Benny the Rat 2008.

Monday, March 31, 2008

Stolen Art Watch, Want the Gardner Art, Carmen Get it !!


Carman Thyssen Bornemisza In Her Own Words !!

http://coleccionctb.museothyssen.org/ColeccionCTB/eng/coleccion.html

I owe my passion for collecting to my late husband, Baron Hans Heinrich Thyssen-Bornemisza. As a child, I was in touch with the world of art thanks to my father’s interest in painting, which he himself practised in his spare time. I remember the smell of oil paint in his studio, as well as the frequent visits to the museums with my mother. Maybe it was my desire to understand the thoughts and the feelings of painters when they stand in front of a canvas that induced me to look for that wonderful sensation felt when one paints. Often my brother Guillermo and I used to paint together.

But it was not until I met Heini that I understood what it meant to be an art collector. I still keep in my memory the first time I saw with him the art collection in Villa Favorita, and the years we spent visiting museums, art galleries and artists’ studios, as well as the temporary exhibitions of works from our Collection, lent to different countries throughout the world.

In the 18th century, the travellers that visited Venice would take back with them vedute of the city of canals, admired for their beauty. This capacity of art to take us to other places and other times through the artist’s eyes has always fascinated me. This may be the reason why views and landscapes have a very relevant place in my collection. I believe painting is, above all, a way of carrying us to another reality. Since I began to acquire works of art, I have always felt that art should not be kept for oneself, but rather that it must be shared, and this is what I have tried to transmit to my son Borja. For this reason I wish to express my gratitude to the Thyssen-Bornemisza Museum and to Spain.

Art Hostage comments:

Any chance Carmen ("Get it") can transmit the Gardner art back home to Boston, given her desire to share iconic art with the world ???

It will probably cost a few bucks, then whats a few million to a billionaire/ess ??

Another Gardner Heist theory is one of the paintings being moved out of Halifax, Nova Scotia to Genoa,Italy, then being collected by non-other than the late Baron Heini Thyssen for his stolen art collection, displayed in the Swiss villa.

When Heini died in 2002, Carmen (Get it) decided to dispose of the stolen Gardner art so as not to Blacken Heini's name further. Also the dispute with Heini's children over his Will left Carmen (Get it) exposed to being in possession of stolen iconic artworks.

So, Carmen (Get it) offloads the Gardner pieces to Jean Marie Messier, Irish Billionaire John Magnier and Irish Billionaire JP McManus.

Now, the IRA and the INLA get a whiff and conformation that John Magnier and JP McManus have the Vermeer and declare an interest.

Having denied to both the IRA and the INLA they have possession of the Vermeer, John Magnier and JP McManus find themselves in a Catch 22, if the hand the Vermeer back, via a confession Box and try and claim the reward via a friendly Priest, the IRA and INLA will be back for the original tribute and more, including penalties for denial. If these two Irish Billionaires retain the Vermeer they risk being exposed and all that will go with that dishonourable title.

You see the common denominator between most theories centre around an Irish Republican connection.

Let hope the common denominator of recovery is the Catholic Church Confession Box !!

Art Hostage says, fuck it, go for it, just give back the Vermeer and be done with it, Danegeld or no Danegeld.

High Value Stolen Art is nothing but "Headache Art" for all those who come into contact with it.
O'h, and don't forget, Dr No's, they don't exist !!!

Sunday, March 30, 2008

Stolen Art Watch, Jean Marie Messier Ponders Gardner Art Return !!



Re-Visionary

Thursday, Mar. 13, 2008

By BRUCE CRUMLEY/PARIS


The trademark tan has dimmed, and his voice softens when he recounts the tumultuous events surrounding his downfall as a corporate titan. But if former Vivendi Universal CEO Jean-Marie Messier no longer boasts the "master of the world" moniker, don't expect to find him repudiating his stint as an empire-building media tycoon either. "I still receive e-mails and get stopped in the street by young people saying 'You gave me the desire to form my own company,'" says Messier.

He followed that very desire in the months after his 2002 ejection from Vivendi in the depths of the tech bust. With the help of a borrowed office, he founded the New York City--based mergers-and-acquisitions advisory boutique Messier Partners. Says Messier, in one of the rare interviews he's given since he left Vivendi: "I don't manage large teams anymore that run businesses that you can't control or you can't be sure to get satisfaction from. I like advising CEOs, and I love helping them with negotiations."

Acquisition negotiation is something Messier, 51, knows a little bit about, having overseen some $100 billion in M&A during his six years at Vivendi. Yet it is Messier's calamitous experience with the buzzy, fuzzy concept of convergence that has made him a player again. Just as in 2000, media and Web companies today talk of straddling a world in which users of any device--mobile phone, laptop, PDA, TV--can command voice, data, video, entertainment and games on demand. Messier saw that coming--perhaps too soon.

Now he is seeing some vindication in the strategy. He demonstrated that in 2006 when he steered Publicis CEO Maurice Lévy to spend $1.3 billion to buy online advertising and marketing specialist Digitas before that market got scalding hot. "We made a full screening of what was happening in the interactive-marketing media field, how it was going to impact [Publicis'] business and why they needed to make an early major move into that field," says Messier. Since then, he points out, every large player has followed the trend: Google with DoubleClick, Yahoo! with Right Media, WPP with 24/7 Real Media, and Microsoft with aQuantive. "We were first in online. Publicis was the only major player to have made an acquisition in this field at less than three times turnover [sales], whereas Google, Yahoo!, Microsoft had to fight for the remaining acquisitions with multiples of 10 to 12 times turnover."

Messier also advised Merrill Lynch Global Private Equity and the New York City-based private-equity firm Clayton, Dubilier & Rice in their $5 billion purchase of electrical equipment distributor Rexel, and he counseled computer-services company Unilog in its $1.1 billion sale to Britain's Logica. Other clients include French heavyweights Lagardère, PPR and Schneider Electric.

Still, given the outcome of his leadership of Vivendi--a forced resignation as the company teetered, paralyzed by nearly $35 billion in debt--one might suspect he'd be radioactive. If so, the toxic glow didn't last long. "Soon after I created Messier Partners," he says, "I was working with a big U.S. CEO, and I asked him why he'd chosen to work with me when he has all the major American investment banks at his feet.He said, 'Jean-Marie, how could I trust the advice of someone who has only ever had success?' To be able to give advice, you need to know the meaning of a decision and to have gone through ups and downs."

Don't expect a corner-office comeback. He says his distance from the C-suite is just as important as having occupied it. "A CEO knows his industry, so he is sick of seeing investment-banking teams come in and tell him he needs to buy a competitor he knows better than any of them," says Messier--a dapper suit and ready smile being his only holdovers from Vivendi days. "I've been on both sides: the advisory and the entrepreneurial side. I know what you feel and what you ask yourself before you make a major strategic move. And I know how desperately you need to get your head above the day-to-day work and be given perspective."

Messier got a lot of big-picture things right at Vivendi. Before its finances unraveled toward the end of 2001, the European powerhouse had staked out a strong base in the U.S. with assets such as Universal Studios and USA Network. The company's formidable media and telecom presence in Europe, meanwhile, allowed Messier to tantalize people with talk about how they'd soon be downloading music, sending photos and even watching video on mobile devices. Convergence of delivery and content, he promised, meant companies like his could offer it all. "Vivendi had the correct vision: the conversion of broadband and wireless to bring any content to anyone, anywhere, anytime, on any handset," Messier says. "That is all reality now. Anyone who saw me as a foolish guy in 2001 is quiet today."

True, but mobile phones didn't deliver the promised goodies-enabled technologies on schedule, and consumers refused to align their media purchases for Vivendi's benefit. Those are two reasons that Messier's successors at Vivendi have sold off many of its media units, while other convergence players, like Time Warner (owner of TIME), are considering disaggregation. "The emphasis now is being the best in the media activities you're focused on, not having all aspects of the sector covered," says a Vivendi official who asks not to be identified. Indeed, though Vivendi recently reacquired control of French telecom Cegetel, which it sold after Messier's departure, and is merging its games division with U.S. gamer Activision to create Activision Blizzard, the official says its strategy is significantly different from Messier's.

Messier sought to assemble the complete media group whose affiliates all do business with one another. Now, says the Vivendi exec, "we've reinforced our media activities in key areas and allow our affiliates to do business with whatever companies fill their needs best--whether inside or outside the group." Plug and play has supplanted media monolith. Still, Messier points to companies like News Corp. and Disney as examples of how big content providers continue to drive convergence.

Messier remains marked by the hostility and humiliation that swirled around him in his rapid transformation from star to villain. With his career and fortune in ruins, he recalls, his main "reason for waking up every morning was knowing my children were waiting for me to give them some hope for the future because they couldn't see their dad destroyed.

Time and work--and a little help from business friends--have supported a comeback. Messier occasionally meets French President Nicolas Sarkozy--a man he's known for 20 years and who "was one politician who never canceled any appointments" after the fall. Not surprisingly, he supports Sarkozy's dynamic entrepreneurial efforts to reform French society--a kind of cultural revolution Messier attempted within French business circles at Vivendi.

Messier is optimistic that his friend will succeed where previous French leaders failed, but he isn't ready to shift Messier Partners' HQ from New York City to Paris just yet. "The U.S. is the country of the second chance--where there isn't so much jealousy, and if you've had problems that you try to rebound from, everyone will applaud and will try to help," Messier explains.

Convinced that the convergence wave is peaking anew, Messier says he'll surf it by reminding clients how "vital it is to own their customers"--or face getting crowded out through "the increased dominance of Google." Playing the role of strategist and adviser in that evolution may not involve the "master of the world" role, but it will allow Messier to test his vision without the career risk that was once Vivendi.

Art Hostage comments:

Now do you see how difficult it is to get these powerful people to return the stolen art they have.

What with Prince Waleed given the cloak of respectability by non other than George Bush senior, and now Jean Marie Messier given a pass from non other than the current French President Nick Sarkozy, other means need to be employed to recover the Gardner art in these guys possession.

The Vermeer and the Irish connection are a different prospect, although the Catholic church confession box could be used by Jean Marie Messier and Prince Waleed as they are not expecting a financial reward.

Fear not, Anthony Amore is on the case, using his Homeland Security connections, with FBI Icon Robert Wittman/Geoff "Ned" Kelly whispering in his ear, approaches have been made to Jean Marie Messier to hand back the stolen Gardner paintings he has, without fuss, discreetly and without fanfare.

Although the political door has been slammed shut regarding Prince Waleed, further approaches are on-going and hopefully Prince Waleed will have a change of heart and allow some of his stolen art collection to be returned.

The Vermeer's current status:

Awaiting recovery as soon as Catholic Priest gets clearance from Rome to claim reward and pass it on. The Celtic Tigers are ready !!

Headache Art, thats what high value stolen art is, for all concerned !!
P.S. FBI should arrest Jean Marie Messier in New York on an International warrant from France, for antiquities smuggling, if Jean Marie Messier plays hardball.
Shhh, Art Hostage, FBI are playing Good Cop, Bad Cop comes later !!


Saturday, March 29, 2008

Stolen Art Watch, Jean Marie Messier Goes Hollywood, Caught with Stolen Art Like Steven Spielberg !!


Oplontis, (Jean Marie Messier) fresco unveiled in Rome.

http://www.wantedinrome.com/news/news.php?id_n=4290
A Roman fresco stolen from the Vesuvian town of Oplontis and recovered by Italian art police from a private house in Paris has gone on show to the public for the first time at Rome’s Palazzo Massimo. The fragmentary fresco dates from the first century AD and at almost three metres long is the largest landscape painting ever discovered in the area near Naples that was covered in ash during the eruption of Vesuvius in AD 79.

Art police believe the fresco was secretly detached from the walls of a villa in Oplontis (modern day Torre Annunziata) in the 1970s and subsequently travelled to Europe on the illegal art market. Investigators say the painting was in Geneva in the early 1980s, and it then moved to Brussels before ending up in the French capital. It was removed from the house of a French publisher and art collector in February and returned to Italy.

Fresco fans wanting to see the landscape have until 1 June to visit it in Rome, where it is on display as part of the Rosso Pompeiano exhibition at Palazzo Massimo, after which it will be returned to the Pompeii archaeology department. Entry to the museum is free over the next few days as, like all city-run museums, Palazzo Massimo celebrates Culture Week.

Art Hostage comments:

What else was recovered from the Paris mansion of Jean Marie Messier ??

Did authorities recover the Manet stolen from the Gardner museum in Boston ?

Authorities did however, miss all the stolen art at the Messier rural villa, it has since been hidden.

The fresco came from Medici and Robin Symes also got paid a fee as a broker.
Follow the Robin Symes trail with this link below:

Update, Art Hostage has been informed by a French political insider that Jean Marie Messier has let it be known he is calling in favours owed by none other than the current French President Nick Sarkozy. This is being done via back-channels and the subject of the Gardner paintings will be put to Jean Marie Messier by Art Hostage's French connection.

Whilst not in possession of all of the Gardner paintings, the ones Jean Marie Messier has in his stolen art collection will be a start.

The recovered stolen and looted artworks from Jean Marie Messier are only the tip of the iceberg.

Upon another note, any input by Alex Boyle is going to be airbrushed out of the recovery, which, I might add, is true to form.

Sorry, nearly forgot, Art Hostage has learnt Jean Marie Messier may be in possession of the 1999 stolen Picasso taken in the French port of Antibes from the big Yacht belonging to a Saudi Prince, no not our old friend Prince Waleed, can remember this Saudi Prince's name, something like Ma Hat, Ma Coat !!

Previously Art Hostage thought this Picasso had been sold to Prince Waleed, which at the time seemed strange given it was stolen from a fellow Saudi, although there is rivalry amongst Saudi stolen art collectors of who owns the most wanted !!

Shhhh, we are not supposed to acknowledge the existence of Dr No figures !!

Especially when they are some of the most high profile public figures in Europe, America, North and South, Asia and the Middle East in particular. Not forgetting Russia and emerging India and China's new rich.

Come to think about it, there are Dr No Stolen art collectors from all parts of the world.

Thursday, March 27, 2008

Stolen Art Watch, Underworld Where Icons are Held Art Hostage, Just Musings !!


Severna Park resident publishes book about sensational art heist

http://www.hometownannapolis.com/cgi-bin/read/2008/03_27-42/CSP

By WENDI WINTERS, For The Capital

The closest most of us get to $163 million worth of paint is standing inside a Home Depot.
But an art theft Feb. 10 in Europe, during which four paintings worth a total of $163 million were taken, is a loss to art lovers worldwide.
Such a heist can't happen in the United States, you think?

It could and it did.

Jerome "Jerry" Tuccille, 70, a former resident of New York now living in Severna Park, tells all about a heist years ago.

His story of the theft is entitled "Gallery of Fools: The True Story of a Celebrated Manhattan Art Theft."

Mr. Tuccille is the author of biographys of Donald Trump, and of the Texas Hunt family, of Alan Greenspan and press lord Rupert Murdoch. He's also written his own autobiography "Heretic: Confessions of an Ex-Catholic Rebel," and books about investing and Libertarianism.

Mr. Tuccille has lived quietly in Severna Park with his wife, Marie, for 14 years. His graying hair has been shaved off. Employed as the vice president of communications for a Baltimore financial services firm, he spends his spare time researching his books.

Back in 1969, Mr. Tuccille didn't think much of the headline in The New York Times that blared seven paintings valued at more than $500,000 had been stolen from the Stephen Hahn Gallery on Madison Avenue..

At the time, the gallery owner valued a painting titled "Nympheas" as worth "more than $100,000." That was one of numerous same-titled oil paintings of water lilies that Monet produced from 1900 to 1910.

A few years later, Mr Tuccille would be involved with the stolen paintings, He would stash some paintings under a quilt in his car.

So, Mr. Tuccille nearly had heart-failure when he spotted a Jan, 24, 1975, headline: "Stolen Paintings Picked Up by F.B.I.: Mount Vernon Man Seized on Extortion Charge." He worried that he would be implicated for having possessed the paintings at one point.

For six years, the painting, along with seven others, including a Renoir pinched from the Wally Findlay Gallery on 57th Street in New York City, were stashed in the Bronx basement of Mr. Tuccille's father, a mob wannabe.

The paintings also rested in Mr. Tuccille's own rusting station wagon; under the bed of the mother of one of his mobster cousins; in a New York barn, and, before some were recovered, behind a dumpster in Upstate New York.

Three of the paintings have never turned up again in public.

When Mr. Tuccille learned of the stolen paintings' location in a secret compartment built in the basement of his father's home, he removed them and put them in his station wagon, covered only by a ragged quilt.

Then, he calmly resumed his campaign as his party's candidate for governor of New York.

"The frames on those paintings were great artworks," said Mr. Tuccille. He "possessed" them in 1973 before mobsters broke them apart and rolled the canvases up. "They were handled by thugs with no appreciation for their artistic value," he said bitterly. "They were only aware of the paintings monetary value.

"Taken together, all the paintings would be worth more than $100 million today."

Of his decision to stash the paintings in his family car, Mr. Tuccille asked rhetorically: "Where do you hide these things? We lived in a little apartment. We didn't even have a closet or a dry attic. They sat in my car for at least a week. If I had turned them in, my father would have gone to jail. I didn't want that. I would have had to go into the Witness Protection Program; I didn't want that either. If I sat on them, my cousin, who had mob ties, would have come after me. I handed the artworks back to the thugs. It was the only way to go at the time."

Most of the zany real-life characters in "Gallery of Fools" are dead.

His father is gone, as is Aunt Molly, the mother of Georgie, the mobster. Georgie is 82 now, living in Upstate New York. He eventually went to jail for his involvement in the thefts, as did another mobster, George Daniel Annunziata.

"I sat on the story for 35 years," Mr. Tuccille said. "It was exploding and had to come out. It's a great story. You can't make that up. Like my running for governor - even though at the time it caused a lot of heartache and hardship."

During the quixotic gubernatorial campaign, in addition to sitting on a fortune in artworks, Mr. Tuccille lost his job and saw the fabric of his life unraveling.

In one of the truly funny scenes of the book, he finds a new job, and the beginning of a successful career. Writing books came later.

"Gallery of Fools" was published by iUniverse in February and will be in stores by the end of March. It is currently available at www.jerometuccille.com and http://www.barnesandnoble.com/.


Art Hostage comments:

Interesting story and I wonder what parallels can be drawn with the Gardner Art Heist ?

Deep breath,....Well, the theory that the Gardner paintings were stolen by a Boston Cop, an Irish Republican, on the Lam in Boston and two others, followed by the sale to Joe Murray for $300,000, followed by Joe Murray trying to use the Gardner paintings to get an INLA prisoner released, refused by the FBI in Washington, although approved by the Boston Law Enforcement, followed by Joe Murray taking the Gardner paintings to his New Brunswick house for safe keeping, then Whitey Bulger using his FBI connections to track down and have Joe Murray murdered and the blame to be laid at the Joe Murray's Wife's door, who then dies of a Marilyn Monroe style drug overdose, followed by Whitey Bulger sending the Gardner paintings to Ireland to be held by an INLA leader in the West of Ireland. (Phew, bit of mouthful !)

Whitey Bulger is then re-united with the Gardner paintings in Ireland whilst on the lam and posing as a retired doctor, subsequently there is money loaned against the Vermeer for INLA purposes.

The INLA leader dies and Whitey Bulger leaves Ireland, on the advice of the FBI, as Whitey's residence in Ireland is becoming an embarrassment for mainstream Sinn Fein and the IRA, peace process and all that, then, when the Bulger squad arrives from Boston to Ireland, Whitey Bulger has long gone, tipped off.

Now, those with an interest in the Vermeer would like to cash it in for the reward but cannot settle on an methodology to achieve this ????

In steps Art Hostage and provides a clear pathway.

Vermeer deposited in Catholic Church confession box, Priest claims reward, having satisfied himself the returnee is innocent of the original theft and subsequent handling, he is just the returnee.

Alongside the Art Hostage plan we have the usual stings attempts, Golden Hello offers, sting in a long tail attempts etc.

The Da Vinci Madonna recovery last fall has spooked the Underworld and because of the considerable loss of money any further handbacks are being carefully scrutinised.

Speaking of the Da Vinci Madonna, you will not believe the turn of events now, more later !!

If the Vermeer handlers succumb to these sting attempts then they will have no-one else to blame but themselves for not taking the Art Hostage, Catholic Church confession box, Priest route.
Any delay in paying the Catholic Priest will be met by public condemnation and for this reason I am sure the reward will be paid as soon as the Vermeer arrives on American soil.

Conclusion, usual rules don't apply in the Gardner case and with the co-operation of the Catholic Church as mediators, the Vermeer can be the first Gardner painting home.
The INLA connection cements the Catholic Church confession box route as the INLA have used the Catholic church as mediators in the past, to hand over drugs confiscated from drug dealers for destruction, see link below:

However, Storm on the Sea of Galilee could take precedence, given the subject matter and being the only Rembrandt Seascape.

Come to think about it, I wonder what the odds would be for the first Gardner painting to be recovered ??

I know, how about Steve "Mr Magoo" Wyn, remember him, mogul who put elbow through Picasso, well he should open a spread on which stolen Gardner painting will be recovered first.

In fact why not an exhibit offering odds, that could raise some money for a good cause, triumph over tragedy.

Tuesday, March 25, 2008

Stolen Art Watch, With Tom and Joe it Could be "Way To Go" !!


Real life Donnie Brasco vows to find £250m stolen art haul
Mar 25 2008 By Paul O'Hare

http://www.dailyrecord.co.uk/news/newsfeed/2008/03/25/we-ll-crack-250m-heist-riddle-86908-20362105/

TWO retired FBI agents are joining forces to crack one of the biggest cold cases in American history.

Art theft expert Thomas McShane has teamed up with Joe Pistone, top, - the real-life Donnie Brasco - in an attempt to recover £250million worth of art stolen from a Boston museum 18 years ago.

Two men wearing fake moustaches and dressed as police officers got away with 11 masterpieces from the Isabella Gardner Museum on St Patrick's Day, 1990.

Despite a £2.5million reward, the case remains unsolved.

McShane, who recovered artworks worth more than £450million during a remarkable career, said: "I feel like we have had egg on our faces for 18 years."

Among the remarkable haul stolen in the raid was Rembrandt's Christ On The Sea of Galilee, worth £50million, and one of the few remaining Vermeers, The Concert.

McShane said: "Who were the thieves?

"Who, if anyone, were they working for?

"Why did they take what they did and leave behind a wide array of historic masterpieces that might have doubled or tripled the value of their haul?

"Most of all, where are those 11 irreplaceable paintings, drawings and etchings today, and why hasn't a single one surfaced in nearly two decades?"

He said one of the most bizarre aspects of the theft is why Titian's The Rape Of Europa, which was hanging nearby and is worth £150million, was not taken.

Pistone spent six years undercover with the New York mafia, assuming the identity of jewel thief Donnie Brasco. He was played by Johnny Depp in the film of the same name.

He and McShane, who also assumed various identities to crack cases, are prepared to go undercover again to find the missing artworks.

There have been several theories about the robbery and suspicion has fallen on both the IRA and the UVF.

Last April, McShane, author of Loot: Inside The World Of Stolen Art, told the Record that the gang behind the theft of a £30million masterpiece from a Scottish castle would never cash in on it.

Six months later, The Madonna And The Yarnwinder was recovered in a Glasgow lawyer's office.

Five men have been arrested in connection with the theft of the painting from Drumlanrig Castle, Dumfriesshire, in 2003.

Art Hostage comments:

Whilst trying not to dampen the enthusiasm of these two giants in Law Enforcement circles, it has to be understood that those who control the Vermeer and co are not adverse to being stung.

Knowing who has control of the stolen Gardner art is not that difficult, getting them to return the art is the hard part.

Upon another note and worth noting, because the pursuit of the Gardner art has attracted many Underworld figures, if the art is returned, then those who claim the reward will be pursued by the Underworld for their cut.

So, it is fear of reprisals from the Underworld that could be preventing the Gardner art from surfacing.

Then do the deal out of sight I hear you ask.

Problem with that is the sting attempts out of the spotlight, hence why the Catholic church confession box and the reward claim by the Catholic priest publicly is the best option.

However, there still remains the problem for the reward claimant being hounded by the Underworld for their share of the reward under duress.

So, bottom line is, yes law enforcement will sting those with the Gardner art if they get a chance, it is their job after all.

The Underworld has been looking to get in on the act of the Gardner art and has issued demands to the handlers that have prevented the Gardner art from surfacing.

A classic Catch 22, whereby the Gardner art handlers are dammed if they hand back the art, from the underworld, and dammed from the wider public world if they don't hand back the Gardner art.

Art Hostage has been told that those with the Vermeer are more concerned if they hand back the Vermeer via a confession box, the underworld will demand payment, than any refusal of payment to them via the Catholic priest.

The Vermeer handlers have said the situation could arise whereby the Vermeer is handed back, Confession box, Priest claim, then a delay in reward payment will be met by the underworld with the words:

"Not paid for the Vermeer, Fuck you pay me !!"

So, the Vermeer handlers will be left without the Vermeer and an underworld debt !!

Best of luck Tom and Joe, remember the guys you will be dealing with will torture you if they suspect and then chop you up before going out for a Calzone !!

Saturday, March 22, 2008

Stolen Art Watch, Art Worlds Barak Obama, Anthony Amore, Brings Hope and Change to Gardner Heist Investigation !!


The Isabella Stewart Gardner Museum’s passionate new security chief, who brought federal screening to Logan International Airport after 9/11, says the theft of precious artworks from the museum 18 years ago Tuesday is a form of “cultural terrorism” that must be resolved for posterity’s sake.

In a wide-ranging interview with the Herald, Anthony M. Amore, 41, said he hopes the museum’s $5 million reward - one of the largest bounties ever offered - will tempt a global audience of tipsters and armchair sleuths to examine the crime and pass new information on to him, “no matter how seemingly insignificant.”

“First and foremost, it’s important people know that the reward is real, that the museum is eager to pay this reward,” he said. “The trustees are serious about this.”

“Second, I know one thing: I am not going to be able to recover these paintings on my own, in a vacuum, sitting here in an office. I need the collective intelligence of people from around the world.”

Amore was brought in by the Gardner two years ago to update and reinforce its security. The issue is a constant priority for the museum, which must remain inviting to the general public while preventing any repeat of the March 18, 1990, robbery that took place soon after 1 a.m., in the groggy aftermath of St. Patrick’s Day.

Amore said he is eager to deploy a “crowdsourcing” approach to the crime, and use the Internet to distribute information and haul in data. He is up at all hours on the case and sees the recovery effort now as a second full-time job.

He said guaranteeing anonymity for tipsters is foremost in his mind. But he would like to see colleges, private companies and individuals with expertise in any art-related field serve as his eyes and ears in the four corners of the world.

He has created a computerized database for past and future leads, and receives many e-mails a day through the Gardner’s theft-related site. (The e-mail address is theft@gardnermuseum.org.)

“When people send me e-mails I’m not interested in trying to track that person back, I’m interested in following the lead,” he said. “I compile all this on a computer. All these tips are projected against the total picture that I have in my database and in my memory.

“After you’ve studied this hard enough, you can do this mind-mapping thing where you do it in your head instantaneously. I can rule out and rule in much more swiftly and usefully that way.”

Amore described a recent tip involving one of the stolen items, a Degas watercolor called “La Sortie de Pesage,” showing some mounted jockeys from the rear.

A British family had acquired a quality reproduction of the Degas, and its new owner wondered if he had purchased the real thing. He called Amore, who contacted the museum’s curator and others.

“We were able to gain the aid of museum experts in Britain who went to the home, with permission, and examined the piece,” he said. “Unfortunately it was not our print. But it shows how you can use global networking to get to the bottom of these kinds of leads.”

Amore admits to a near-obsession with the case, and displays an almost photographic recall of details he has absorbed from investigative files in well-worn cabinets.

Amore has taken art classes and studied the history of each stolen item. He retraces the steps the thieves took through the museum and reviews the archives every few months, always gleaning “something fresh” from the effort.

The story of the crime is the stuff of Boston lore. Two white males dressed in police uniforms, and identifying themselves as Boston officers, gained entry to the legendary Fenway institution by telling the two inexperienced night watchmen there they were responding to a call about a disturbance within the compound


The thieves quickly subdued the guards, using duct tape and handcuffs to lock them away in separate, remote areas of the museum’s basement. The guards never had time to activate a panic button under their watch desk, and video surveillance film was seized by the interlopers before they took off.

While in the museum from 1:24 a.m. to 2:45 a.m., the thieves seized 13 items valued at $300 million.

They include Rembrandt’s only known seascape, “Storm on the Sea of Galilee”; “The Concert,” one of only 34 known Vermeers in the world; a series of drawings by Edgar Degas; works by Manet, Rembrandt and Flinck; and two objects, a finial from a Napoleonic flag and a Chinese Ku, or beaker


Though one thief told one of the guards “they’ll be hearing from us” on his way out, no convincing evidence of the art’s whereabouts has been reported since. Suspects have emerged and disappeared or died, clues have come and gone, trails have been pursued, and still the 13 items remain in bedeviling limbo.

“People from the press, the general public, even the criminal world - they have all said to me: ‘It’s time these paintings are back in their place, back in their frames, back where they belong,’ ” he said.

“It’s been a story out of a Hollywood movie long enough. There is a growing sense that we must bring this to fruition


Comments (11)
ss
please spare us the 'terrorism' analogies. unless the thieves actually destroy the original and every copy of the original existing anywhere in the world, then posterity isn't losing anything. #206572 - Mar 16, 2008 12:11 AM EDT Report Abuse


Dave
Like closing the door after the cat got out #206617 - Mar 16, 2008 1:59 AM EDT Report Abuse


stan
As a different approach, maybe they should keep an eye on the rich people who show up for the blockbuster auctions for Van Gogh, Picasso, etc. , paying most attention to those who fly in to catch the event. Money is probably not an issue for the present owner(s), so it wouldn't be surprising if they spend a lot of time checking out legit stuff too. Notice, I did not say "Dubai". #206918 - Mar 16, 2008 11:30 AM EDT Report Abuse


LS
I have had the honor of working for Mr. Amore at Logan airport post 9/11 and can tell you from personal experience that he is definitely the right man for the job and will bring the same level of dedication, professionalism and experience as he did as a top official with Homeland Security at Logan. #207070 - Mar 16, 2008 2:39 PM EDT Report Abuse


ss is illiterate
unless the thieves actually destroy the original and every copy of the original existing anywhere in the world,then posterity isn't losing anything??? How about spare us your faux elitist bs and write a constructed sentence. Posterity means the offspring of direct line ancestry, or originator, not whatever that hell it is that you were trying to say. idiot. #207091 - Mar 16, 2008 3:26 PM EDT Report Abuse

Art Hostage
Anthony Amore is a stand up guy, straight as a gun barrel, who will walk through fire over broken glass to recover the stolen Gardner art. Elitism exists because the public has limited access to the world finest artworks. The loss of the iconic Gardner art in many ways divides society further. #207143 - Mar 16, 2008 5:34 PM EDT Report Abuse


JA
Anthony is definetly a stand up kind of a person,and how I know this ,is because I am his mom,who is so proud of him,he works so hard at what he does and is a very dedicated person.If their is anyone that can find out what happened to those paintings it is him for sure. #207231 - Mar 16, 2008 8:19 PM EDT Report Abuse


Art Hostage
O'h well thats it, now we've got Anthony's mum involved god help those who withhold the Gardner art. Anthony, a new line for you; "Stop, or my mum will shoot" Mrs Amore, Belle Gardner would be proud of your intercession, it's priceless and the best thing I have heard in ages, made my week !! #207711 - Mar 17, 2008 12:25 PM EDT Report Abuse


Art Hostage
Appologies, I of course mean Anthony's Mom, and "Stop, or my Mom will shoot" #207960 - Mar 17, 2008 3:59 PM EDT Report Abuse

anon
If anyone can, Anthony will solve this. #210330 - Mar 19, 2008 10:19 AM EDT Report Abuse


big guy
Myles Conner #213617 - Mar 21, 2008 7:46 AM EDT Report Abuse

Sunday, March 16, 2008

Stolen Art Watch, Whe...n there's... Warmth in our Heart's, Coz he's Recovered the Gardner Art..., That's Amore !!



The Gardner Museum’s new security chief knows the value of shoe leather in solving crimes.

As assistant federal security director for screening at Logan International Airport after 9/11, he ran the show when shoe bomber Richard Reid was collared in December 2001.

“I’ll never forget that day,” said Anthony M. Amore, the museum’s top art sleuth. “I was sitting down to watch the Patriots [team stats] play the Dolphins - it was a big game at the time - and I got a call saying some lunatic was trying to light a shoelace on fire on an airplane.

“I thought it was going to be a 20-minute trip to the airport and it turns out I was there for the next 20-plus hours, ending with the arrest of Richard Reid and being on the line with the White House situation room.

“It gave me a great sense of not approaching any kind of incident in a lackadaisical fashion. It’s the mindset I bring to this job at the museum.”

A 41-year-old Rhode Island native, Amore moved to Massachusetts in 1995 and lives in Swampscott. He has two children.

His resume reads like he should be a candidate for Homeland Security director. Stints in crucial security jobs at the Immigration and Naturalization Service, the Transportation Security Administration and, before arriving at the Gardner, the post of assistant federal security director for screening at Logan just after 9/11.

There he oversaw the urgent implementation of federalized baggage screening for the airport after it was rocked by the terrorist attacks on New York that started with hijackings of two American Airlines [AMR] planes from Logan.

The work was grinding, he said, but the motivation to make Logan safe was fierce across the entire workforce there, and he found the effort inspiring and rewarding.

Still, after more than four years of nervewracking airport security work he wanted a change, and he sought out the Gardner job, which he took in March 2006.

“I felt our mission was complete at Logan,” he said. “I needed a change. And when I was interviewed here it was not in an office but near this beautiful courtyard.

“I always knew about the Gardner, knew about the theft, and knew it was an amazing place. So after 14 years in an airport environment, to see this breathtaking place that still takes your breath every time you look at it, I knew this is where I might want to go for a change of pace.”

A modest, easygoing man who persistently insists he counts on teamwork and the brainpower of “smarter people” to solve problems, Amore set about resecuring the museum. But he couldn’t resist immersing himself in the crime that rocked the Gardner in 1990.

“I didn’t anticipate I’d be drawn into the theft investigation as much as I am,” he said. “Securing the museum, the property, the visitors is definitely ‘Job 1’ and always will be, but the case is like a second job to me now.”

Amore has a strong rapport with the FBI agents on the case, and says the Feds and the Gardner are on the same page when it comes to making recovery of the art a priority. He has forged stong ties with his bureau counterparts, particularly Special Agent Geoffrey J. Kelly. But he knows too that he must work alone sometimes because many tipsters want to avoid official government entanglements.

“I am certain of their dedication to seeing the paintings returned to their rightful place,” he said of the FBI and the U.S. Attorney’s Office in Boston. “They have all shown and extraordinary willingness to help us recover our artwork.”

Amore has a master’s in public administration from Harvard’s JFK School of Government. He was nominated in 2002 and 2003 he was nominated for the Service to American Award.

Amore has absorbed much about art in the past two years, much as he learned everything possible about airport security while working at Logan.

“It’s not lost on me that I had worked at the airport from which the worst terrorist attack against the U.S. was launched, and I now work at the museum at which the largest property theft and art theft in history was committed,” he said.

Contact Amore by e-mail at theft@gardnermuseum.org or by phone at 617-278-5114.

Art Hostage comments:

With Matinee idol looks, somewhere between Andy Garcia and Anthony LaPaglia, the Gardner Museum's very own Anthony Amore strides across the art loss world like a colossus.

His quiet demeanor allows him access to the most sensitive material regarding the Gardner art Heist and his pragmatism is just the thing that will see Anthony Amore at the centre of the Gardner art recovery.

Anthony Amore, is a man who walks through fire over broken glass to recover the elusive Gardner art, that's the official Art Hostage opinion, why ??

THAT'S AMORE !!
I dare you not to smile and feel warm inside when you click the link below:

Stolen Art Watch, Bold Boston Herald to the Rescue in Gardner Art Pursuit, Hopefully !!


Help $olve the heist of the century...at bostonherald.com/gardnerheist

http://www.bostonherald.com/news/regional/general/view.bg?articleid=1080690

Starting today, the Herald is launching a Web site dedicated to compiling information about the March 18, 1990, Isabella Stewart Gardner Museum heist.

The site will be updated regularly and include background information and leads that readers the world over can examine.

Anyone with knowledge of the crime, tips about the whereabouts of the art and thoughts on solving the mystery can post their information on comment boards or send an e-mail to a secure address.

There also will be links to the museum’s theft site and confidential e-mail address, theft@gardnermuseum.org, and other sites of interest.

New Today: Hear Gardner Security Chief Anthony Amore discuss the crime, the reward and his openness to leads, tips and suggestions from a global audience of possible mystery solvers. And meet one of the suspects.

http://www.bostonherald.com/entertainment/arts_culture/view.bg?articleid=1080685

Send tips to gardnertheft@bostonherald.com or post them online at the Web site.


Art Hostage comments:

Things can only get better, now I've found You (Boston Herald)

Click the link below and pump up the volume:




Saturday, March 08, 2008

Stolen Art Watch, Bernard Berenson Joins Gardner Art Pursuit !!


Art Hostage would like to extend a warm welcome to a new blog called Gardner Theft, run by a blogger calling themselves Bernard Berenson, after the man who furnished Mrs Isabella Stewart Gardner with many of her prized artworks.

Well worth a visit, You can catch the blog here: http://www.gardnertheft.blogspot.com/




Must say I like the layout and wish Bernard Berenson all the very best in helping to recover the stolen Gardner art, especially the Vermeer, my favourite.

Come to think about it, what is Bernard Berenson's favourite amongst the elusive stolen Gardner art ?

Ten days to go before another anniversary, another year without the most iconic stolen artwork, Vermeer's "The Concert" being available for the public to view.

Wonder what's in store, news from the Grand Jury perhaps, or the usual rhetoric re-hashing the same old lines.

However, a little insider tells Art Hostage that some good news lurks on the horizon, hopefully something around the 17-18 March 08 perhaps.

I'll keep you posted.
In the meantime visit Bernard Berenson below, seems to be updated all the time.

Vermeer's The Concert

Vermeer's The Concert