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Sunday, May 19, 2013

Stolen Art Watch, Gardner Art Heist, Wise Guy, Wise Words, Waiting Patiently !!



A Hartford Wise Guy And A $500 Million Museum Heist

 It was a shore dinner in Maine a decade ago that transformed Robert Gentile, an aging, unremarkable wise guy from Hartford, into the best lead in years in one of the world's most baffling crime mysteries, the unsolved robbery of half a billion dollars in art from Boston's Isabella Stewart Gardner Museum.

Gentile disagrees with most of what the government says about him. But he does not dispute that he and his wife drove to Portland, Maine, from their home in Manchester. It was nothing then for the couple to jump into a car and cross New England for a meal. Gentile is said to be passionate about food. His nickname is "The Cook."
Neither is there disagreement that Gentile was meeting Robert Guarente and his wife. Guarente, a bank robber, moved from Boston to Maine in 2002, after his last prison sentence. He was living in the woods, two hours north of Portland. Guarente had been associated for years with three Boston criminals who the FBI believed were involved in or had information about the Gardner heist. One of the three was Guarente's nephew; another was Guarente's driver.
Gentile and Guarente had been friends and partners since the 1980s when they met at a used car auction. Federal prosecutors have said in court: They were inducted into the mafia together. They are believed to have "committed robberies and possibly other violent crimes together." And they roomed together for a while outside Boston while acting as "armed bodyguards" for the mafia capo who was their boss.
No one disputes that Gentile picked up the check in Portland. Or that he continues to complain that Guarente's wife, Elene, ordered an expensive lobster dinner.
What is disputed, hotly, is what happened outside in the parking lot. Elene Guarente has told the Gardner investigators that she believes her husband put one or more of the stolen paintings in their car before they left their home in the woods and that the art was handed off to Gentile in Portland.
Gentile claims that Elene Guarente's account, which she first gave investigators in 2009 or '10, is, as he once muttered in court, "lies, lies, all lies." Through his lawyers, he denies receiving a painting or paintings, denies having knowledge about the robbery and denies knowing what happened to the art afterward. Gentile said he met with Guarente in Portland because his friend, who died in January 2004, was sick, broke and in need of a loan.
Gentile's most emphatic denial may have come earlier this month when a federal judge sentenced him to 21/2 years in prison on what the government called unrelated drug and gun charges. At age 76, overweight, crippled by back injuries and suffering from a heart condition, Gentile pleaded guilty to the charges — knowing that doing so meant a certain prison sentence — in spite of an offer of leniency and a chance at the $5 million reward if he helped recover the art.
Gentile's lawyer, A. Ryan McGuigan, accused the FBI of concocting the drug case to pressure Gentile to cooperate in the Gardner investigation. The judge brushed aside the argument, concluding that Gentile did not need to be persuaded by an FBI informant to engage in the profitable sale of prescription painkillers. In any event, McGuigan said Gentile had nothing to trade the government for leniency or the reward, no matter how badly he wanted both.

As he settles into prison, Gentile could become another dead end in the succession of dead ends that have characterized the Gardner investigation. But the account of how he became, at least briefly, the best potential lead in the Gardner case offers a glimpse inside a sensational robbery from which the art world may never recover.

Gentile And The Gardner
The FBI will not discuss Gentile in the context of the Gardner robbery. But its interest has become apparent in other ways, including filings in court, a sensational press statement it issued in March, its pursuit of Gentile's Boston associates and a curious price list found in Gentile's home.
Buried among the guns and other odd items in Gentile's basement was a list of the stolen Gardner paintings and accompanying values. An infamous art thief from Massachusetts said recently that he wrote the list and that Gentile probably acquired it, in a transaction not directly related to the robbery that may have been nothing more than an attempted swindle.
There are signs, too, that government investigators are not persuaded by what one described as Gentile's consistent denials. A federal prosecutor said in court that an FBI polygraph examiner concluded there is a 99 percent probability that Gentile was not telling the truth last year when he denied knowing anything about the stolen art. Gentile's lawyer said the results are false because the test was improperly administered.
A year ago, dozens of FBI agents swarmed over Gentile's suburban yard. They found an empty hole someone had dug and apparently tried to conceal beneath a storage shed in his backyard.

Federal prosecutors said in court that Gentile was such a fixture in organized crime in Boston by the middle to late 1990s that he, with Guarente, was sworn in as a member of the Boston faction of a Mafia family that is active in Philadelphia. In a dramatic press statement in March 18, the FBI claimed the stolen paintings were moved to Connecticut, at least for a time, and to Pennsylvania. The bureau issued the statement on the 23rd anniversary of the robbery:
"The FBI believes with a high degree of confidence that in the years after the theft, the art was transported to Connecticut and the Philadelphia region, and some of the art was taken to Philadelphia, where it was offered for sale by those responsible for the theft. With that same confidence, we have identified the thieves, who are members of a criminal organization with a base in the mid-Atlantic states and New England."

Characteristically, the bureau will not elaborate.
Not only does Gentile deny being a member of the mafia, he denies knowingly associating with gangsters. If he is being truthful, people who know him say he is one of the world's most unlucky men because circumstance in which he has become entangled.
Some of the most important art ever created disappeared at about 1:30 a.m. on March 18, 1990, as St. Patrick's Day celebrations wound down across Boston. Two thieves dressed as police officers bluffed their way into the museum, a century-old, Italianate mansion full of uninsured art and protected by an outdated security system
They bound the museum security guards and battered 13 masterworks from the museum walls before driving away in a red car fewer than 90 minutes later.
Among the missing art: a Vermeer, a Manet and five drawings by Degas. Two of the paintings — "Storm on the Sea of Galilee," Rembrandt's only known seascape, and Vermeer's "The Concert" — could be worth substantially more than $100 million, if anyone could find away to unload some of the world's hottest art.

Cooking For The Boys
In Hartford, Gentile seemed to inhabit a different world. He is short and round, with a high forehead. His hair is white and he leans heavily on a cane when he walks. He has penetrating eyes and is a pleasant conversationalist when he chooses.
Over the last eight years, he could be found most days at Clean Country Cars, a garage and used car lot on Franklin Avenue in the Hartford's South End. He put a stove and a refrigerator in a service bay and, as he wrote in a court filing, "cooked lunch for the boys."
"I like to cook," Gentile once said. "Macaronis. Chicken."

The list of attendees at his luncheons in bay No. 1, according to someone familiar with the events, could read like a federal indictment. Among others: Hartford tough guy and mob soldier Anthony Volpe and John "Fast Jack" Farrell, the Patriarca family's card and dice man.
Gentile's arrest record begins during the Eisenhower administration, although most of his involvement with the police occurred in the 1960s. Convictions include aggravated assault, receipt of stolen goods, illegal gun possession, larceny and gambling. He beat a counterfeiting case.
During three searches of his suburban ranch in Manchester last year, FBI agents found explosives, a bullet-proof vest, Tasers, police scanners, a police scanner code book, blackjacks, switch-blade knives, two dozen blank social security cards, a South Carolina drivers license issued under the alias Robert Gino, five silencers, hundreds of rounds of ammunition, a California police badge, three sets of handcuffs with the serial numbers ground off, police hats and what a federal magistrate characterized as an "arsenal" of firearms.

There was a surveillance camera trained on the approach to his home. Hanging from a hook inside the front door was a loaded, 12-gauge Mossberg shotgun with a pistol grip, a federal prosecutor said.
Gentile has giving varying explanations for the presence in his home of the weaponry and related paraphernalia. He said some of it had been there so long he forgot about it. Other material probably was dropped off by a friend who is a "dump picker." Gentile's lawyer said he is a hoarder.
He is handicapped by back pain, probably the result, according to multiple sources, of a blow his father delivered with a metal bar when he was 12 years old. He left school two years later to work for his father's masonry business and became the youngest bricklayer and cement mason to join the International Union of Brick Layers and Allied Craft Workers.
He took a stab at the restaurant business in the 1970s, but closed his place, the Italian Villa in Meriden, after two years.
Gentile and his brothers had a reputation as top concrete finishers, according to friends. When union construction slowed in the 1970s, he went to work for a builder of swimming pools in greater Hartford.
Meeting Guarente

Gentile moved from swimming pools to used cars, according to friends and material filed in court. He met Guarente at one of the automobile auctions where dealers buy inventory, said associates of Gentile and a person familiar with the investigation.
A source who claims to have met repeatedly with Guarente beginning in the 1990s said that Guarente was a bank robber whose last arrest and conviction, in the 1990s, was for cocaine trafficking.

"Guarente was Gentile's connection with Boston," said the source. "Until then, Gentile was his own man. He did his own thing, his own way. Guarente was a stone cold criminal and robber. He told me he robbed 30 banks and, toward the end, he was selling huge amounts of drugs."
Said a law enforcement source: "Guarente was the hub of so many people. He is an interesting guy because he is not well known. But he knows everybody."
One of the places Guarente visited, according to a variety of sources, including an FBI report, was TRC Auto Electric, a repair business in Dorchester, Mass., a hangout of reputed Boston mob associate Carmello Merlino.
Gentile met Merlino at least once: He was with Guarente when he stopped by the garage to talk about having work done on his car, according to a source who knows all three men.
Merlino and his crew were on the FBI's list of Gardner suspects in the 1990s, according to filings in federal court. The legal filings and FBI reports show that, by 1997, the FBI had inserted two informants in Merlino's operation. Over the next year, the informants reported that Merlino treated Guarente like a partner. They also reported that Merlino talked as if he might have access to the stolen art.
In one of the FBI reports, an informant said it appeared to him that Merlino "was getting the authorization to do something with the stolen paintings." A lawyer with knowledge of a variety of Gardner cases said the informant reports, collectively, suggest Merlino was trying to take possession of the paintings.
Merlino also was meeting, according to FBI reports and other legal documents, with two younger men: robbery suspect David Turner, who was Guarente's driver; and, less frequently, with Stephen Rossetti, Guarente's nephew. When he was questioned by the FBI, Gentile was asked to identify Turner from photographs, said a source familiar with the investigation.
While looking for the stolen paintings, the FBI learned that Merlino and the two younger men were planning to rob an armored car depot. Agents intercepted and arrested the men on their way to the depot in early 1999. An FBI agent later testified in court that, immediately after the depot arrests, he tried to question the three about the Gardner heist. They refused to talk.
The three robbers argued unsuccessfully that the FBI, through its informants, created a conspiracy to rob the depot to leverage them to talk about the stolen art. Gentile's lawyer failed when making the same claim in court about his drug and gun indictments.
The Philadelphia Connection
Guarente also introduced Gentile to Robert Luisi, the Boston mobster who a federal prosecutor said sponsored Gentile and Guarente for membership in the Philadelphia mafia — a city where the FBI said some of the stolen Gardner art was taken.

Luisi had tried to join, but was not accepted by, the New England mafia, an associate said. Philadelphia agreed to accept him when he reached out through a man he met in prison. He agreed and, according to court filings, became the boss, or capo, of the Philadelphia mob's Boston crew.
Guarente became Luisi's second in command and Gentile became a soldier in his crew, according to a prosecution court filing.
As it turned out, Philadelphia's Boston crew collapsed within months of being created. Within a year, Luisi had been indicted in a cocaine conspiracy. Worse for Gentile, Luisi agreed to cooperate with the government.
Gentile's lawyer said in court that Luisi lied to curry favor with the FBI.
During his interviews with the FBI, Luisi said Gentile and Guarente committed robberies together. He said they lived with him for a while in Waltham, Mass., while acting as his armed bodyguards.
Luisi told the FBI that Gentile always armed himself, usually with a snub nose .38-caliber revolver and a .22-caliber derringer. He said Gentile gave him a silencer for his own handgun.
The FBI found a half dozen silencers in Gentile's cellar, as well as two snub nose, .38-caliber revolvers and a .22-caliber derringer, according to a government legal filing.
Luisi said that, in the late 1990s, Gentile was planning the robbery of an armored car carrying cash from a casino in Ledyard and that Luisi had introduced him to a crew of Charlestown robbers who could help, a federal prosecutor said in court.
It was Luisi who told the FBI that said Gentile's nickname was "The Cook."
Gentile acknowledges using the name "The Cook," according to a government court filing. But his lawyer said he denies almost everything else.

He acknowledges working for Luisi, but said he was paid what amounted to small change for cooking and running card games, his lawyer said. Another source who knew Luisi in the late 1990s said "Luisi had apartment where they hung out and Gentile would cook. Gentile was the cook and the bodyguard."
Within a year of Gentile's alleged induction in the mafia, his network in Boston was in disarray.
Guarente was indicted for selling cocaine on April 1998. He was released from prison in December 2000 and died in January 2004.

Merlino and his crew were charged in the Loomis Fargo robbery on February 1999. Merlino died in prison and the others have decades left to serve on their sentences.
Luisi was charged in a cocaine conspiracy on July 1999.
When Guarente's wife told investigators in 2009 or '10 about the meal in Portland, only Gentile was a alive and out of jail.
A Postscript
One of New England's most colorful thieves, Florian "Al" Monday, believes he knows the significance of the list of stolen Gardener paintings — and their black market values — that the FBI found in Gentile's cellar.
He said it is his.
Monday said, in a recent interview, that he has been engaged in the murky business of stolen art at least since 1972, when he and a small group he recruited stole Rembrandt's "St. Bartholomew" from the Worcester Art Museum. In the process, one of them shot and wounded a security guard. The painting was quickly recovered and the gang was arrested. Monday got nine to 20 years in prison.
Because the Gardner thieves carried weapons, Monday said he was an early suspect in the theft of those Gardner paintings.
"Of course, everyone thought that I had stolen them since I'm the guy that invented that methodology, of robbing museums with a gun," Monday said recently.
He got stung in 2002 when he and a partner, a Rhode Island swindler who put up $250,000, tried to buy an etching they had been persuaded was one of the Gardner's Rembrandt pieces. It was a forgery.
Monday said he believes his list of the stolen Gardner art fell into Gentile's hands under similar circumstances.
Monday said he drafted the list for a partner, who knew both Gentile and Guarente. The partner wanted to buy Gardner art because he had lined up a pair of prospective buyers. Gentile was the middleman through whom Guarente and Monday's partner communicated, according to Monday and another source.
Monday said he was putting up the money for the deal, but would not say where he got it. He said he did not know and never met either Gentile or Guarente.
"Guarente? I know nothing about him," Monday said. "I never negotiated any prices for him. I hadn't heard of Gentile until recently. The list ... was a list of the paintings and the prices that I was willing to pay for them. That's what those figures are. It is not their value. It is what I was willing to pay for them."
The deal fell apart, Monday said, when the partner suspected that he was being hustled, and that Guarente had no Gardner art to sell.

Monday said his partner paid Guarente $10,000 when Guarente said he needed the money to travel to Florida to obtain whatever art was involved. Monday said he suspects Guarente never went to Florida.
The partner was next told that he had to pay to see proof that Guarente actually had the Gardner art. The proof was to be a photograph, purportedly of the stolen art.
Guarente mailed the photograph to Gentile. The partner, who carried a jeweler's loupe, recognized it as a photograph of a page in an art book. He left with the money but forgot the list.

Thursday, May 09, 2013

Stolen Art Watch, Gardner Art Heist, The Final Cut, Breakthrough Imminant !!

 

Conn. man thought linked to heist gets 2½ years


HARTFORD, Conn. — A reputed Connecticut mobster has been sentenced to 2 1/2 years in prison in a weapons and prescription drugs case that revealed federal authorities' belief that he knew something about the largest property heist in U.S. history.
Seventy-six-year-old Robert Gentile (JEN'-tile) of Manchester was sentenced Thursday in Hartford. He pleaded guilty in November to illegally selling prescription drugs and possessing guns, silencers and ammunition.
With credit for time served and good behavior, Gentile is expected to get out of prison in 10 to 12 months. He has been detained since his arrest in February 2012.
Gentile's lawyer has denied that his client is a mobster or has information on the still-unsolved 1990 theft of a half-billion dollars' worth of art from the Isabella Stewart Gardner Museum in Boston.

Conn. man gets 2½ years in drugs and guns case; feds said he had info on Boston art heist


HARTFORD, Conn. (AP) — A reputed Connecticut mobster was sentenced Thursday to 2 1/2 years in prison in a weapons and prescription drugs case that revealed federal authorities' belief that he knew something about the largest property heist in U.S. history.

Robert Gentile, 76, of Manchester, pleaded guilty in November to illegally selling prescription drugs and possessing guns, silencers and ammunition. With credit for time already served and good behavior, Gentile is expected to be released from prison in 10 to 12 months. He then faces three months of home confinement, followed by three years of supervised released.
 
Prosecutors were seeking a prison term of 4 to 4½ years. Gentile sought a sentence of prison time already served and wanted to be released on probation or home confinement. He has been detained since his arrest in February of last year.

Gentile spoke at the hearing, telling the judge he's been a hardworking man all of his life. He started talking about his wife, saying he loved her, before breaking down into tears.
 
The case made national news last year when prosecutors revealed that the FBI believed Gentile had information on the still-unsolved theft of art worth an estimated half-billion dollars from Boston's Isabella Stewart Gardner Museum in 1990.

Two men posing as police officers stole 13 pieces of artwork including paintings by Rembrandt, Manet, Degas and Vermeer. FBI officials said earlier this year that they believe they know who stole the paintings but still don't know where the artwork is.

Gentile has denied knowing anything about the art heist and no one has been charged in the theft. But prosecutors revealed at the sentencing hearing that Gentile had taken a polygraph about the theft and claimed he didn't know where the stolen paintings were, which an expert concluded likely was a lie.

Federal agents said they found an arsenal of weapons at Gentile's home including several handguns, a shotgun, five silencers, hundreds of rounds of ammunition and homemade dynamite. Authorities also searched the property with ground-penetrating radar in what Gentile's lawyer called a veiled and unsuccessful attempt to find the stolen artwork.

Gentile and a co-defendant, Andrew Parente, were also charged with selling dozens of prescription drug pills including Dilaudid, Percoset and OxyContin. Parente also has pleaded guilty and is set to be sentenced later this month.

Assistant U.S. Attorney John Durham said at sentencing that Gentile had been recorded by an informant saying he had associated with reputed Boston mobster James "Whitey" Bulger and another mobster. He did not elaborate on those associations.

But Durham said earlier in court documents that Gentile has been identified by several people as a member of a Philadelphia crime family who has been involved in criminal activity for virtually his entire adult life.

Durham said a captain in the La Cosa Nostra, Robert Luisi, told authorities that Gentile had committed robberies and possibly other violent crimes and once planned to rob an armored car carrying money from a Connecticut casino. Luisi also said that Gentile once lived with him in Waltham, Mass., and Gentile was his body guard.

Gentile's lawyer, A. Ryan McGuigan, called Luisi's allegations "hearsay" and said the government has never proven any link between Gentile and organized crime. He also said Gentile's criminal record, before the current case, includes only old convictions for non-violent crimes.

McGuigan said Gentile is a family man and retired bricklayer, concrete mason and automobile dealership owner. He said Gentile's last conviction was for larceny in 1996 involving improper distribution of proceeds from his father's estate. Gentile's other convictions were in 1956, 1962 and 1963 for receiving stolen goods, carrying a deadly weapon in a motor vehicle and possession of illegal firearms, respectively, McGuigan said.

When he pleaded guilty in November, Gentile said he wanted to spare the state and himself the expense of a trial and hoped to get out of prison as soon as possible to be with his ailing wife. Both Gentile and his wife have heart problems and other ailments, according to court documents.

Monday, March 18, 2013

Stolen Art Watch, Gardner Art Offered To Joseph 'Uncle Joe' Ligambi, Joey Merlino In The "Boca Raton" Frame


 
Art Hostage Comments:
Joseph "Joey" Merlino in The Frame

The Gardner art was offered to Uncle Joe Ligambi, via Joseph "Mousie" Massimino  back in 2001 and the indications are, or the spin coming from the sources close to the Philly family are he failed to secure them. However, what with Uncle Joe looking like he will walk soon, if the retrial fails to convict him, perhaps the FBI could offer him immunity and the Gardner Museum could firm up their reward offer of $5 million, then finally the Gardner art may come home. However, perhaps authorities are banking on a conviction at the April retrial (Now postponed until October 2013) to use as leverage to smoke out the Gardner art.
Heat is focused on Boca Raton where Joey Merlino is residing after being released from jail as he could hold the key to the Gardner art and authorities hope this current publicity will provoke the vital lead that could see the Gardner art surface. Expect a raid of the home of Joey Merlino if no positive leads devleops.
Furthermore, time to announce the recovery of 
Degas, La Sortie de Pesage
Degas, Cortège aux Environs de Florence
 as it has been under wraps all this time.

Art Hostage would like to yet again publicly state no desire for any reward money, fake or real and would only be too happy to pass on the location of where the Gardner art can be found, no arrests, no stings, no strings, not requests for reward at all.

Remember Art Hostage first called for the Gardner art to be deposited in a Catholic Church Confession box over a decade ago, right about the time the Gardner art was being offered in Philadelphia, and a Catholic Priest, Bishop or Cardinal should be used as a conduit for the safe return of the Gardner art.  
New Pope, New Dawn, Gardner Art discovered in a Catholic Church confession box, using the symbolism of absolution.

 FBI knows who Gardner thieves are but won't say

In a blockbuster announcement, the FBI said today they know the thieves who pulled off the infamous Isabella Stewart Gardner Museum heist 23 years ago today -- but they're not identifying who they are.
Those unnamed suspects are from "a criminal organization," the FBI said, who failed to fence the $500 million in masterpieces in Connecticut and the Philadelphia region in the years after the brazen break-in.
The FBI is now asking for the public's help in solving one of the worst crimes in U.S. history.
“The FBI believes with a high degree of confidence in the years after the theft the art was transported to Connecticut and the Philadelphia region and some of the art was taken to Philadelphia where it was offered for sale by those responsible for the theft.” Richard DesLauriers, Special Agent in Charge of the FBI’s Boston office, said. “With that same confidence we have identified the thieves who are members of a criminal organization with a base in the mid-Atlantic states and New England.”
The FBI said the trail of the 13 stolen works of art has gone cold and they want to get the word out in the U.S. and "around the world." It's a campaign similar to the hunt for James "Whitey" Bulger when a renewed publicity campaign helped lead to the mobster's arrest in Southern California in 2011.
On March 18, 1990, two burglars disguised as Boston police officers broke into the Gardner museum in the Fenway neighborhood and made off with the art by masters including Rembrandt, Vermeer, Degas and Manet.
Two night guards were found in the museum’s basement handcuffed to pipes and bound with duct tape.
U.S. Attorney Carmen Ortiz said today the $5 million reward remains on the table and immunity is "possible" for anyone who concealed the art all these years.
"I cannot give blanket immunity without knowing the specifics," Ortiz said, adding "immunity is still available. It's a strong possibility." She also said no charges can be filed for the robbery itself, since the statute of limitations has since expired. Anyone can be charged, she added, for possession of the stolen artwork.

Here is the FBI press release:
The FBI, along with Boston’s Isabella Stewart Gardner Museum, and the United States Attorney’s Office for the District of Massachusetts, released new information about one of the largest property crimes in U.S. history, the art theft from the museum more than two decades ago. The FBI is appealing to the public for help in what is one of the FBI’s Top Ten Art Crimes.
The FBI believes it has determined where the stolen art was transported in the years after the theft and that it knows the identity of the thieves, Richard DesLauriers, Special Agent in Charge of the FBI’s Boston office, revealed for the first time in the 23 year investigation. “The FBI believes with a high degree of confidence in the years after the theft the art was transported to Connecticut and the Philadelphia region and some of the art was taken to Philadelphia where it was offered for sale by those responsible for the theft.” DesLauriers added, “With that same confidence we have identified the thieves who are members of a criminal organization with a base in the mid-Atlantic states and New England.” After the attempted sale, which took place approximately a decade ago, the FBI’s knowledge of the art’s whereabouts is limited.
Information is being sought from those who possess, or know the whereabouts of, the 13 stolen works of art, including rare paintings by Rembrandt and Vermeer, by publicizing new details about the case and continuing to highlight the $5 million reward for the return of the art. Although the FBI does not know where the art is currently located, the FBI is continuing its search, both in and beyond the Connecticut and Philadelphia areas. “With this announcement, we want to widen the ‘aperture of awareness’ of this crime, to the reach the American public and others around the world,” said DesLauriers.
Anthony Amore, the museum’s chief of security, noted that the reward is for “information that leads directly to the recovery of all of our items in good condition.” He further explained, “You don’t have to hand us the paintings to be eligible for the reward. We hope that through this media campaign people will see how earnest we are in our attempts to pay this reward and make our institution whole. We simply want to recover our paintings and move forward. Today marks 23 years since the robbery. It’s time for these paintings to come home.”
“The investigation into the Gardner Museum theft has been an active and aggressive effort, with law enforcement following leads and tracking down potential sources of information around the globe. Over the past three years, I have visited the museum several times, and each time I entered the Dutch Room and saw the empty frames, I was reminded of the enormous impact of this theft. I do remain optimistic that one day soon the paintings will be returned to their rightful place in the Fenway, as Mrs. Gardner intended,” said U.S. Attorney Carmen M. Ortiz. “As we have said in the past, the U.S. Attorney’s Office will consider the possibility of immunity from criminal prosecution for information that leads to the return of the paintings based on the set of facts and circumstances brought to our attention. Our primary goal is, and always has been, to have the paintings returned.”
To recover stolen items and prosecute art and cultural property crime, the FBI has a specialized Art Crime Team of 14 Special Agents supported by special trial attorneys. The team investigates theft, fraud, looting and trafficking across state and international lines with estimated losses running as high as $6 billion annually. The FBI also runs the National Stolen Art File, a computerized index of stolen art and cultural properties that is used as a reference by law enforcement agencies worldwide.
The FBI stressed that anyone with information about the artwork may contact the FBI at 1-800-CALL FBI (1-800-225-5324) or the museum directly or through a third party, said Special Agent Geoffrey Kelly, who is the lead investigator for the theft and a member of the art crime team, “In the past, people who realize they are in possession of stolen art have returned the art in a variety of ways, including through third parties, attorneys and anonymously leaving items in churches or at police stations.” Tips may also be submitted online at https://tips.fbi.gov.
The publicity campaign announced today includes a dedicated FBI website on the Gardner Museum theft, video postings on FBI social media sites, publicity on digital billboards in Philadelphia region, and a podcast. To view and listen to these items, link to the FBI’s new website about the theft: www.FBI.gov/gardner.
Here is a list of the art stolen ...
Rembrandt, The Storm on the Sea of Galilee, 1633

Rembrandt, A Lady and Gentleman in Black, 1633

Vermeer, The Concert, 1658–1660

Manet, Chez Tortoni, 1878–1880

Govaert Flinck, Landscape with an Obelisk, 1638

Degas, La Sortie de Pesage

Degas, Cortège aux Environs de Florence

Degas, Program for an Artistic Soirée, Study 2, 1884

Degas, Program for an Artistic Soirée, 1884

Chinese Bronze Beaker or Ku, 1200–1100 B.C.

Finial in the form of an eagle, French, 1813–1814

Degas, Three Mounted Jockeys

Rembrandt, Self-Portrait, ca. 1634

 Uncle Joe, Gardner Art & Retrial

JOSEPH LIGAMBI may be a gray-haired 73-year-old who is quick with a smile and wisecrack for family and friends in the courtroom, but to federal prosecutors he is much too "cunning" and "vicious" to be released on bail while awaiting retrial for racketeering conspiracy and related charges.
After hearing spirited arguments Monday from prosecutors and defense attorney Edwin Jacobs Jr., U.S. District Judge Eduardo Robreno rejected Ligambi's bail motion, ensuring that he will sit in a jail cell as he prepares for his April 16 retrial.
Ligambi, who is known as "Uncle Joe" and is believed to be the boss of Philadelphia's La Cosa Nostra mob, came to court in a green prison jumpsuit and left taking the ruling, seemingly, in stride.
"That was a surprise," he said, grinning at his supporters as a marshal cuffed him.
"That was a cliff-hanger," Jacobs deadpanned.
Earlier this month, Ligambi was found not guilty of five criminal counts by a federal jury, which deadlocked on four other counts.
The jury - which sat through three months of testimony and deliberated for 21 days - acquitted Ligambi co-defendant Joseph "Scoops" Licata. Reputed underboss Joseph "Mousie" Massimino, mob soldier Damion Canalichio and mob associate Gary Battaglini were convicted of racketeering conspiracy. Anthony Staino was convicted of loan-sharking.
Ligambi's nephew, former mob consigliere George Borgesi, who's been imprisoned since 2000, was acquitted of 13 counts but remains jailed on a single racketeering-conspiracy count on which the jury deadlocked.
In all, the jury found the seven alleged mobsters guilty on five counts, not guilty on 46 and deadlocked on 11. The latter 11 counts paved the way for the feds to seek retrials.
During Monday's hearing, Jacobs argued that the government's failure to win any convictions against Ligambi should entitle him to bail, which his family could pay with more than $500,000 in equity from six to seven homes, Jacobs said.
U.S. Attorney Frank Labor countered that the charges Ligambi faces retrial for and the convictions of his co-defendants establish that he is a danger to the community and should stay jailed.


Sunday, March 10, 2013

Stolen Art Watch, Gardner Art Heist, 23 Years On, Rewind To Begining


Guard who opened the door to robbers in notorious Gardner Museum heist under suspicion 23 years later

Night watchman Richard Abath may have made the most costly mistake in art history shortly after midnight on March 18, 1990. Police found him handcuffed and duct-taped in the basement of the Isabella Stewart Gardner Museum seven hours after he unwisely opened the thick oak door to two thieves who then stole 13 works of art valued at more than $500 million.
For years, investigators discounted the hapless Abath’s role in the unsolved crime, figuring his excessive drinking and pot smoking contributed to his disastrous decision to let in the robbers, who were dressed as police officers. Even if the duo had been real cops, watchmen weren’t supposed to admit anyone who showed up uninvited at 1:24 a.m.
But, after 23 years of pursuing dead ends, including a disappointing search of an alleged mobster’s home last year, investigators are focusing on intriguing evidence that suggests the former night watchman might have been in on the crime all along — or at least knows more about it than he has admitted.
Why, they ask, were Abath’s footsteps the only ones picked up on motion detectors in a first floor gallery where one of the stolen paintings, by French impressionist Edouard Manet, was taken? And why did he open the side entrance to the museum minutes before the robbers rang the buzzer to get in? Was he signaling to them that he was prepared for the robbery to begin?
No one publicly calls Abath a suspect, but federal prosecutors grilled him on these issues last fall. And one former prosecutor in the case has written a recently published novel about the Gardner heist in which the night watchman let the thieves into the museum to pay off a large cocaine debt.
“The more I learn about Rick, the more disappointed I get in him,” said Lyle W. Grindle, the former director of security at the Gardner who hired Abath in 1988.
Now, for the first time, Abath is discussing publicly what happened and admitting that some of his actions are hard to explain, but insisting he had nothing to do with what is regarded as the biggest art heist ever.
Abath, then a rock musician moonlighting as a security guard, said he opened the doors that night because he was intimidated by men dressed as police officers who claimed to be investigating a disturbance. His own uniform untucked and wearing a cowboy hat, Abath knew he looked more like a suspect than a guard.
“There they stood, two of Boston’s finest waving at me through the glass. Hats, coats, badges, they looked like cops,” Abath wrote in a manuscript on the robbery that he shared with The Globe. “I buzzed them into the museum.”
Abath, now 46 and working as a teacher’s aide in Vermont, pointed out that his explanation passed two lie detector tests right after the crime. However, he admits he can’t explain why motion sensors in the gallery that housed the Manet detected footsteps only at the two times Abath said he was in the room — and not later when Abath was bound in the basement and the thieves were looting other galleries.
“I totally get it. I understand how suspicious it all is,” said Abath in a recent interview. “But I don’t understand why [investigators] think . . . I should know an alternative theory as to what happened or why it did happen.”
Now that FBI agents have captured elusive mobster James “Whitey” Bulger, the fate of the Gardner’s stolen masterpieces by Rembrandt, Vermeer, Degas and Manet has replaced “where’s Whitey?” as Boston’s most enduring mystery.
No one has ever been charged in the crime and seemingly promising leads, like the one that led to the search of alleged mobster Robert Gentile’s Connecticut home last May, have invariably fizzled. With no sign of the art works, investigators are left to wonder if the thieves died and took their secret to the grave, or if they are in prison and unwilling to cooperate out of fear of retribution by other conspirators.
But US Attorney Carmen M. Ortiz said the investigation — carried out by her office, the FBI, and Gardner security director Anthony Amore — remains “active, and, at times, fast-moving” even though the statute of limitations for prosecuting the robbery ran out in 1995. Ortiz could still charge anyone possessing the stolen paintings, but she said her office would consider immunity in return for help recovering the masterpieces.
“I am optimistic, and in fact everyone involved in this investigation is optimistic, that one day soon those paintings will be returned to their rightful place in the Fenway,” said Ortiz in a statement.
Abath, who agreed to speak to the Globe to gain publicity for a book he is writing about the robbery, said he first realized he was under suspicion four years ago when FBI agents asked to meet him at a Brattleboro, Vt., coffee shop.
“After 19 years of not hearing a word from the people charged with the task of solving the Great Museum Robbery, they popped up; they wanted to talk,” Abath wrote in the manuscript he shared. To his surprise, one agent told him, “You know, we’ve never been able to eliminate you as a suspect.”
And, he said, they told him they had been watching his bank accounts for years for any signs of sudden wealth.
But if Abath was part of a $500 million art heist, his lifestyle in Brattleboro certainly doesn’t reflect it. He lives with his wife in a modest apartment outside the center of town, where he moved in 1999 to be close to his two children from an earlier relationship.
But investigators say that Abath’s partying lifestyle during the two years he worked at the Gardner could have brought him in contact with the kind of people who might plot a major art theft.
In 1990, Abath was a Berklee School of Music dropout and a member of the struggling rock group Ukiah, and sometimes showed up for the midnight shift at the Gardner drunk or stoned. In a 2005 interview with the Globe — under a grant of anonymity — Abath admitted using marijuana and alcohol before work. In the recent interview, he said he sometimes took LSD and cocaine, too.
The 23-year-old was chronically short of money — the Gardner paid just $7.35 an hour, and his band had to scrape for gigs — so he staged monthly keg parties in Allston that drew hundreds of college-age kids, most of whom were strangers, to raise funds.
On several occasions, he recalled, others who worked as Gardner guards or night watchmen would show up, and invariably the conversation would turn to the inadequacy of the Gardner’s security system, which was plagued by false alarms and featured just a single panic button in case of emergency, located at the front security desk.
“Could someone who had friends who were robbers or in the underworld have heard us complaining how awful the security system was? Absolutely. We were talking about it in the open all the time,” Abath said. “But did I know someone picked it up and used it to rob the place? Absolutely not.”
But investigators are reluctant to rule out the possibility that the thieves had help from the inside since studies show that nearly 90 percent of museum robberies worldwide turn out to be inside jobs. And they’ve questioned Abath closely about his circle of friends and acquaintances in 1990.
On the night of the robbery, Abath said he showed up for work completely sober, having just given his two-week notice to quit the boring job. He and one other watchman would take turns patrolling the museum and staffing the security desk.
Coincidentally, the nearby Museum of Fine Arts had adopted a new security procedure that required night watchmen to get a supervisor’s permission before admitting people after hours — the guards had refused entrance to real Boston police officers who came to the door a few months earlier.
“The museum was at its most vulnerable during the night shift,” explained William P. McAuliffe, the former top State Police commander who instituted the policy after taking over MFA security in 1989. “The entire security rested in the hands of one or two people.”
The Gardner took no such precautions, leaving Abath to make his own decision when the faux police officers rang the buzzer at the entrance on Palace Road at 1:24 a.m. They had been sitting quietly for at least an hour in a civilian car — witnesses recalled it as a hatchback — perhaps trying to avoid the glances of several tipsy college-age people who had emerged from a St. Patrick’s Day party in a nearby apartment building.
About 20 minutes before the thieves came to the door, Abath did something that prompted investigators to ask whether he was signaling the robbers: He opened and then quickly shut the Palace Road door after he had toured the museum galleries and was about to replace his partner at the security desk.
Gardner security officials say that their guards were not supposed to open doors as part of their patrol, and federal investigators have told Abath that none of the other watchmen they interviewed did so.
But Abath vehemently denies he had any bad intentions in opening the museum door.
“I did it to make sure for myself that the door was securely locked,” Abath said. “I don’t know what the others did, but I was trained to do it that way.” He said security logs would show that he tested the door on other nights as well. The FBI seized the logs, but has declined to comment on what they show.
Abath said he knew he wasn’t supposed to let uninvited guests inside, but he was less clear on whether the rule applied to police officers. With his partner patrolling the galleries, Abath decided to buzz inside the men dressed as police officers.
As the pair walked into the Gardner, Abath was at the security desk with quick access to the panic button that would have notified a security firm of an emergency. But one of the thieves — who Abath said was about 5 feet 7 inches tall, with gold-rimmed glasses and a “greasy looking mustache” — asked him to step away, saying, “I think there is a warrant out for your arrest.”
In quick succession, Abath said the officers asked for his ID, put him up against the wall and handcuffed him. Abath said he thought it was just a misunderstanding until he realized the officers hadn’t frisked him before he was cuffed — and the officer’s mustache was made of wax.
“We were being robbed!” Abath wrote in his manuscript.
Abath and his partner, who was also handcuffed as soon as he arrived at the security desk, were wrapped in duct tape and taken to different areas of the basement where they remained until police found them eight hours later. By then, the thieves — along with Rembrandt’s “The Storm on the Sea of Galilee,” Vermeer’s “The Concert,” and the other art works — were long gone.
Although the masterpieces the thieves stole are valued in the millions, they left behind what is considered Boston’s most prized painting, Titian’s “Rape of Europa,” leaving investigators to wonder about their sophistication. The brutishness with which they treated the art, cutting two Rembrandts from their golden frames while breaking the frames on two Degas sketches, convinced investigators that the men were common criminals taking advantage of a “score” rather than experts commissioned to steal particular works.
Perhaps most baffling is why they spent only 81 minutes inside the museum, mostly in the Dutch Room and Short Gallery on the second floor, when they could have continued undetected for hours.
Equally perplexing, motion detectors that tripped as the thieves made their way through other areas failed to record them entering or leaving the first floor’s Blue Room, where “Chez Tortoni” by Manet was taken. There, the only footsteps detected, at 12:27 and again at 12:53 a.m., matched the times Abath said he passed through on patrol.
Adding to the strangeness, police found the frame from the Manet on security chief Grindle’s chair near the security desk. Was this the gesture of a disgruntled employee sending a message to the boss?
Abath said investigators all but accused him of stealing the missing Manet.
“They wanted to know if I had taken the painting and stashed it somewhere,” Abath said. “I told them as I’ve said a hundred times before and since, I had absolutely nothing to do with the robbers or the robbery.”
Abath’s denials did not deter James J. McGovern, who worked on the federal investigation for the US Attorney’s office in 2006, from writing a novel that portrays a night security guard as an accomplice in the Gardner heist.
In 2012’s “Artful Deception,” McGovern writes that the watchman let the thieves inside to pay off a large cocaine debt. The character with whom the night watchman makes the deal closely resembles David A. Turner, the 1985 Braintree High graduate who has long been considered a suspect in the robbery.
Turner was sentenced to nearly 40 years in prison for involvement in a 1999 scheme to rob an armored car warehouse in Easton, a plot that he has contended in court was set up by the FBI to force his cooperation in solving the Gardner crime.
But Abath said he never had any connection to Turner — and has no recollection of buying cocaine from him — though he does say that Turner looks vaguely like the younger, more stocky of the two thieves.
Despite the lingering suspicions about his conduct on the night of the robbery and the admitted excesses of his lifestyle at the time, Abath said he does not feel ashamed that his actions led to the greatest loss of art masterpieces in world history.
“I know I wasn’t suppose to let strangers into the museum after hours, but no one told me what to do if the police showed up saying they were there to investigate a disturbance,” Abath said. “What was I supposed to do?”
Stephen Kurkjian can be reached at stephenkurkjian@gmail.com.

Wednesday, November 14, 2012

Stolen Art Watch, Gardner Art Heist, False Dawn Yet Again As Bogus Reward and Bogus Immunity Don't Fool Anyone Anymore !!


Reputed mobster suspected in Gardner heist pleads guilty to gun, drug charges

HARTFORD, Conn. — Robert Gentile, the reputed Connecticut mobster the feds believe has information that can crack the decades-old Gardner Museum heist, was working with authorities for 10 months to help track down the purloined paintings before they pinched him on drug and gun charges, all to simply squeeze him for more details, his lawyer said today after Gentile pleaded guilty to all counts.
Hunched over a cane and sitting in a wheelchair, the 76-year-old Gentile admitted to a federal court judge he worked with a co-defendant to deal oxycodone to an FBI informant and that he couldn’t turn down a deal to sell other prescription pills, claiming he “got caught in a trap.”
“I was wrong,” a gruff Gentile said, adding he didn’t want to drag out the court process because of his age and failing health. “I don’t have many more years left to fight the case. I don’t want to cause any more problems.”


Neither Gentile nor prosecutors addressed allegations he knows something about the famous 1990 robbery at the Isabella Stewart Gardner Museum, a claim Gentile has roundly denied even as authorities scoured his Manchester home in February and May. Authorities didn’t find any paintings but instead found a cache of guns, $22,000 and more pills.
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But after the hearing, his lawyer, Ryan McGuigan, said Gentile plans to address the accusations fully when he is sentenced on Feb. 6. He added that Gentile worked with authorities for roughly 10 months in the investigation, including testifying before a grand jury, but stressed his client has never known where they were stashed. Thieves stole 13 works of art from the museum, valued at $500 million. Gentile was arrested earlier this year.
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“He knew some of the individuals that the government believes may have had something to do with the heist,” McGuigan said, adding that likely, “ninety-nine percent of the people who were involved are dead.
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“He is the last, best hope of finding the paintings,” he said of Gentile. “Now he’s paying the price.”
Under his plea, Gentile has agreed to sentencing guidelines of 46 to 57 months in jail, or a maximum just under five years, plus a lifetime of supervised release and up to a $100,000 fine, though the judge is free to set different terms.
Gentile had faced up to 150 years in prison on the nine counts against him.

Reputed Connecticut mobster told federal grand jury he knew nothing about Gardner Museum art heist

HARTFORD – Reputed mobster Robert V. Gentile has testified before a federal grand jury probing the 1990 Isabella Stewart Gardner Museum art heist that he does not know who stole the priceless paintings from the Boston landmark, Gentile’s attorney said today after his client pleaded guilty to drug and weapons charges.
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Gentile, according to attorney A. Ryan McGuigan, was questioned by federal prosecutors this year about Boston area crime figures whose names have been linked to the thefts of the 13 paintings, which include works by Rembrandt, Vermeer, Degas and Manet.
Gentile was also questioned before the grand jury about Robert Guarente, a Mafia figure who died in 2004 and whose widow said he provided Gentile with a stolen painting before his death, his attorney said.
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But McGuigan said Gentile provided nothing to federal officials that will solve the biggest museum theft in history. He said Gentile does not know who committed the crime nor does he know what happened to the paintings in the 22 years since the robbery.
“They were obviously not satisfied with the information that he had,’’ McGuigan said. “But unfortunately, that is all they had.’’
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McGuigan spoke with reporters at US District Court here after Gentile pleaded guilty to drug and firearms charges based on the discovery of prescription drugs and six guns by federal investigators when they searched Gentile’s Manchester, Conn., home in February. The Gardner art heist was not mentioned at the hearing. Gentile will be sentenced early next year and could face three or four years in federal prison under a plea agreement.
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Gentile, 76, told US District Judge Robert N. Chatigny that he was pleading guilty to six charges because he was guilty of the crimes and because he wanted to end his life without any further interference from federal law enforcement.
“I’m pleading guilty because I am guilty. I am sorry for causing this problem,’’ Gentile said. “I don’t want any more trouble.’’
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Gentile, who has chronic health issues, sat in a wheelchair during the hearing. He told the judge, “I want to serve my time and get home. I don’t have many years left.’’
Guarente, a Mafia figure who died in 2004 at age 65, apparently had ties to everyone publicly identified as a person of interest in the heist, according to court records, FBI reports, and State Police documents.
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The search of Gentile's home was part of an apparently renewed effort by US Attorney Carmen Ortiz, the top federal prosecutor in Massachusetts, to solve the Gardner art theft, which has haunted both the museum and law enforcement.
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In addition to Gentile’s house, the FBI searched the home of Anthony Carlo, a 62-year-old ex-convict living in Worcester who has a history of art theft.
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The Gardner Musuem heist occurred in the early morning of March 18, 1990. Two men posing as police officers conned their way into the museum by telling the two security guards that they were responding to a report of a disturbance. The guards, who violated protocol by letting the officers in, were bound with duct tape. The thieves then spent 81 minutes taking the 13 masterworks.

Federal agents swarmed Gentile’s home again in May in what McGuigan called a veiled attempt to find the stolen paintings. McGuigan said at the time that the FBI got a new warrant allowing the use of ground-penetrating radar to look for buried weapons, but he believed they really were looking for the artwork.
“This is nonsense,” McGuigan said in May. “This is the FBI. Are you trying to tell me they missed something the first time? They’re trying to find $500 million of stolen artwork. ... All they’re going to find is night crawlers.”
Gentile was charged with three weapons crimes that each carried up to 10 years in prison and six drug crimes that carried up to 20 years in prison apiece. He wasn’t supposed to have any guns because of a 1990s larceny conviction.
In court Wednesday, he said he was pleading guilty to avoid the expense and aggravation of a trial. Prosecutors and his defense agreed on sentencing guidelines of 46 to 57 months in prison, but Gentile could face more or less prison time based on a report by probation officials. The sentencing hearing is scheduled for Feb. 6.

Tuesday, October 09, 2012

Gardner Art Heist, FBI Fishing, D.A. Dangles Drugs Plea Deal

 

Conn. drug suspect linked to Gardner heist may cop plea

Gentile Manchester Home

  http://www.bostonherald.com/news/regional/view/20221008conn_drug_suspect_linked_to_gardner_heist_may_cop_plea/srvc=home&position=also

A Connecticut man who told the Herald federal prosecutors offered to broom drug charges against him if he agreed to help solve the 1990 Isabella Stewart Gardner Museum art heist is negotiating a plea deal, according to court documents filed by his attorney.
Andrew Parente, 75, and reputed gangster Robert Gentile, 76, were scheduled to go on trial tomorrow in Hartford on charges they were dealing prescription painkillers. On Friday, Judge Robert N. Chatigny pushed the proceeding back to Nov. 13 after Parente and public defender Deirdre Murray filed a motion to postpone jury selection, stating they are “engaged in negotiations” with prosecutors.
Parente and Murray did not return calls requesting comment. The U.S. Attorney’s Office also did not return calls.


Parente told the Herald in May the FBI started leaning on him about the 13 missing masterpieces by Rembrandt, Vermeer, Degas and Manet soon after he was arrested in February.
A $5 million reward for information leading to the recovery of the art valued at more than $500 million is still up for grabs.




WHDH-TV -

Sunday, October 07, 2012

"Charles Vincent Sabba & Art Hostage, Separated By An Ocean, Joined by Their Desire To Recover The Worlds Most Wanted Stolen Art, Gardner Art, Public Priority Number One"

Only $5 million Reward For $500 million Stolen Masterpieces
Gardner Museum New Wing Costing Over $180 million

"Over the years Art Hostage and Charles Vincent Sabba have developed a close working and personal relationship, whereby they bring all their vast experience from both sides of the law and divide into one concentrated true vision of recovering the worlds most wanted stolen art. Together, joined by the common bond of artistic integrity, this partnership will offer a vision and pathway that see's the worlds most wanted stolen art go home to its rightful place, not least the elusive, Gardner art. Below Charles Sabba offers this first installment of what will prove to be the final part of the journey of the Gardner art on its way back home for the people of Boston, America and all of the world to reconnect with those long lost iconic masterpieces."



Read this paragraph from a news article on the Santa Monica art theft and you see clearly that the meager amount of $5 million reward for the Gardner works is an inadequate sum:


"...Jeffrey Gundlach did not know who, if anybody, would get the reward. He had offered $1 million for the return of a Mondrian painting called "Composition En Rouge Et Blanc."  

The offer is said to be the highest-ever reward for a single painting. That was the painting Gundlach said the thieves had been trying to unload..."

Now, I dig Mondrian, but $1 million for a Mondrian was offered by a guy who loved his collection and only $5 million was offered by a museum for a Vermeer, three Rembrandts, a Manet, a Flinck, drawings by Degas and a Chinese Ku! It is obvious that Gundlach loves his art.

I am not sure why the Gardner puts such a low reward offer out there, especially when they were willing to raise and spend multiple millions, $180 million to be exact,  on the controversial expansion of the museum.

Maybe it is finally time to rethink both the reward and the immunity offers up in Boston. Obviously their game plan has been to wait the bad guys out. Only a small number of men know the whereabouts of the stolen works and they are getting old and more then one of them are in bad health.

After they die, the authorities will put the squeeze on their surviving family members in hopes of gaining their cooperation for info and property searches. 

This is a bad and risky game plan, because when they pass on they may bring their secrets with them for eternity!

If the museum would raise that kind of money or, even only $100 million dollars, to offer as a reward, and a reward value is placed on each individual work, one or two of those works may just get returned swiftly (also necessary is that the passionate realists within the art world would put political pressure on the right people to hammer out a true blanket immunity in which absolutely no one had to testify, one or two of those works may just get returned swiftly).  
Charles Sabba



   

Vermeer's The Concert

Vermeer's The Concert