Twitter share

Monday, January 06, 2020

Anthony Amore Called Out By Casey Sherman & Arthur Brand, Gardner Art Reward Price List, Olive Branch For Recovery

Art sleuth says it’s time to change strategy on Gardner heist

Indiana Jones of the Art World says offer individual rewards

Art detective Arthur Brand next to a Picasso he recovered. (Courtesy Arthur Brand.)
PUBLISHED: | UPDATED:
Like Rembrandt’s stolen seascape, there is a storm brewing over the direction of the decades-old investigation to recover masterpieces missing from the Isabella Stewart Gardner Museum.

The first shot across the bow was fired by celebrated Dutch art detective Arthur Brand who took to Twitter last week to call out investigators while making a direct plea to the thieves who may still be in possession of some of the 13 artworks stolen from Gardner Museum in March 1990.

“Still working on the Isabella Stewart Gardner theft,” Brand wrote. “And don’t believe those who say you can only deal with them. You can always talk with me. The FBI and the museum and their allies are not going to solve this case after 30 years. Move over …”

Brand, dubbed “The Indiana Jones of the Art World,” made international headlines last year for finding and returning a $28 million Picasso painting that was stolen 20 years ago from a luxury yacht in the French Riviera.

Speaking to Brand by phone in Europe, he told me that he fired off the tweet in frustration and has since deleted the message.

Although he praises the FBI and the museum for doing everything they can to recover the stolen works, which include Vermeer’s “The Concert” and Rembrandt’s “Christ in the Storm on the Sea of Galilee,” he believes that investigators are sending the wrong message to anyone with knowledge of the notorious heist.
Rembrandt’s Christ in the Storm on the Sea of Galilee
According to the museum’s website, a $10 million reward is still being offered for information leading to the recovery of all 13 works in good condition.

“But what if thieves only have two or three of the stolen art works?” Brand asks. “They are being dissuaded from coming forward because they don’t have the entire collection. The museum is giving them an all-or-nothing proposition.”

The art detective is calling on the museum to provide separate rewards for the individual art pieces. Brand believes this change in strategy could break the case.

“I’m also concerned about how the museum defines the “good condition” of the art, that’s a very arbitrary statement,” Brand says. “I know how the criminal mind works and language like that sends a big red flag to the thieves.”

The FBI won’t comment on the art detective’s theory but when I reached out to Anthony Amore, the museum’s director of security, during an online conversation, he told me; “We have no comment on some guy’s (bleeping) twitter.”

That no comment speaks volumes and I can understand his frustration. Amore’s been working on the case since 2005, chasing leads around the globe and he’s found nothing.
Now he’s got one of the world’s leading art detectives breathing down his neck and demanding results.

But to call Arthur Brand “some guy” speaks to Amore’s institutional arrogance

As we approach the 30th anniversary of the heist this year, the museum would be better served if it brings in new investigators with fresh ideas and new perspectives.

Brand tells me that he’s spoken with sources in direct contact with the IRA. They have convinced him some of the missing paintings are stashed away in Ireland.

This theory has been dismissed by Amore.

“He (Amore) calls me “some guy,” but I have recovered six stolen art pieces in the past year alone, and what has he found?” Brand says. “I always place myself in the minds of the thieves. I have a track record of success while after nearly 30 years; the museum is still sitting on nothing.”

Casey Sherman is a New York Times best-selling author of 11 books. His latest is the upcoming “Hunting Whitey: The Inside Story of the Capture and Killing of America’s Most Wanted Crime Boss.” Follow him on Twitter @caseysherman123.

Wednesday, January 01, 2020

Stolen Art Watch, Gardner Museum & FBI Appoints Chris Marinello Official, Exclusive, Pro Bono Intermediary To Pay Criminals Reward


According to Chris Marinello of Art Recovery International, he has been appointed the Official Pro Bono Intermediary on the Gardner case who will pay the Gardner heist reward to anyone who steps forward, including criminals.
This goes against everything Chris Marinello says he stand for in regards morals and ethics in stolen art recoveries.
Are we to believe Chirs Marinello has had a change of heart, gone off the reservation, along with the Gardner Museum and FBI?
Do they want us to believe Chris Marinello will pay out the Gardner heist reward without any scrutiny, if so, then why not issue a Gardner Art Reward Price List to give further encouragement.
Perhaps a lesser valued stolen Gardner artwork can be used as a test balloon.

Chris Marinello wrote this on his website:
 https://www.artrecovery.com/campaigns/view-campaign/c2RpbU3HLB-CSIYkXbgxxris5d4SvHQ2jx-iojtdq9ynJ40JAaI0tHrFX0P8yDrn1TA54d5V1WJOb3N9YZsA4WMAoQDPoDDt
 ---------------------------------------------------------------------------------------------------------
2020 marks a rotten anniversary for any art-lover: thirty years since thieves bolted off with 13 precious artworks from the Isabella Stewart Gardner Museum in Boston, Massachusetts. Two robbers dressed to impersonate police officers carried out this infamous heist, considered to be the biggest unsolved art theft in world history. 
Since that night in 1990, quite a few real police officers have joined the international hunt for the 13 artworks, not to mention lawyers, art experts, and lately even podcasters. 
Valued at over $600 million (although valueless in the marketplace as stolen objects) the search for masterworks by the likes of Vermeer, Manet, Rembrandt, and Degas stays alive and relevant thanks to current museum security director Anthony Amore, whose museum is offering the largest reward ever offered by a private institution — $10 million for information leading to the art's recovery. 

What is keeping someone from turning in the art and collecting a cool $10 million? Perhaps mistrust of the FBI’s and local prosecutors’ promise that no one will be prosecuted for the crime. 

That’s why Art Recovery International’s founder and lawyer Christopher A. Marinello has, with the consent of law enforcement, offered to serve as a pro-bono intermediary between the possessors and the museum. ARI will happily exchange the reward and artwork through attorney’s escrow. 

In this way, those collecting the reward will never have to deal directly with museum security or law enforcement. 

Marinello’s message to the possessors is simple: “Thirty years is enough; you are not going to get a better deal than the one on the table. Return the artwork and pocket the $10 million before someone else goes around you and collects it for themselves”. 
----------------------------------------------------------------------------------------------------------------
Chris Marinello, Anthony Amore and the FBI are sending mixed messages, two faces of the same coin?

Vermeer's The Concert

Vermeer's The Concert