Vermeer's The Concert

Vermeer's The Concert

Saturday, October 01, 2011

Stolen Art Watch, Gardner Art Heist On Film !

Titian, (1490-1576), Rape of Europa, 1559-1562, oil on canvas, Isabella Stewart Gardner Museum

A Trip to Boston and a Documentary Add to My Gardner Museum Heist Obsession

I was in Boston for a couple of days last week. On the top of my list of things to do, there was my first ever, long overdue visit to the fabulous Isabella Stewart Gardner Museum. Adding to the mystique of the beautiful outside-in Venetian palazzo that Gardner herself designed and its dazzling array of masterpieces and artifacts, was my curiosity about the still unsolved 1990 Gardner Museum heist. Thirteen masterpieces, including three Rembrandts and a Vermeer, were stolen. Some were slashed from their frames -- frames that still eerily hang where Gardner originally placed them.

After my visit, I arrived back in L.A. pleasantly haunted by the history-laden cobblestone streets and cemeteries of Boston, and decidedly under the spell of Isabella Stewart Gardner. Finding Rebecca Dreyfus's 2006 documentary about the Gardner heist, Stolen, was the perfect segue from an all-too-short vacation back to my hectic life.

In an interview, Gardner biographer Douglass Shand-Tucci sets the tone for the present day visitor and echoes my own feelings: "The Gardner Museum is now touched with evil as a result of the robbery in a way that has deepened the experience going through it. Many people made it into a pretty postcard kind of place. Mrs. Gardner was not a pretty postcard kind of person...."

The story of the heist is set against a background of grainy black and white footage of turn-of-the-century Boston, voice-overs of Gardner's letters read by Blythe Danner, and the ongoing investigation of fine art detective Harold Smith. Adding to the complexity of the investigation, we intermittently hear snippets of voice messages left on a tip line -- even one from a who woman claims the culprits were John Lennon and Paul McCartney. The Beatles did it!

We learn about Gardner's motivations for amassing her collection:

"They say that Isabella Stewart Gardner is the original Victorian salvage hunter. She'd go off on a rummage hunt, often a salvage hunt. Mr. Gardner would be, at times, very upset. She wouldn't leave a note at the hotel, she'd be out looking for her favorite pieces of salvage that she could save and then resurrect them. Broken columns, balconies, fireplaces from Northumberland, were in attics and basements of churches, stained glass windows from 1150 a.d., [unclear] Cathedral covered with vestments and cobwebs, and she recycled all the things in Europe that no one seemed to care about."
In a letter to her art agent in Europe Stewart wrote: "Dear Berenson, I suppose the picture habit, which I seem to have, is as bad as the morphine or whiskey one. And it does cost. I am drowned in a sea of debt. You would laugh to see me. I haven't had but one new frock in a year."

A museum docent recounts Gardner's frame of mind after acquiring Titian's Rape of Europa:

"One evening so ecstatic, after a wonderful dinner party in the Titian room, she swirled into a frenzy and said, 'Tis I who have hopped upon the back of Zeus and become Europa, the mother of Europe' and left her ball gown. Of course as we all know in the portrait the goddess is upon the back of Zeus flying around the heavens in a night gown. So Mrs. Gardner disrobed her ball gown, ran through the long gallery back up to her dressing room on the fourth floor, changed into another gown and came back downstairs. So, for posterity, the green moiré fabric, Worth's Paris gown, is in the wall, under the Titian as sort of a replica and souvenir of the enchantment that Bel Gardner felt when she received and purchased her Europa. She was ecstatic with joy."
We meet dicey characters from the underbelly of the art world such as master art thief Myles Connor, antiques dealer and ex-con, William Youngworth and, through a Scotland Yard connection, reformed art thief, Paul "Turbocharger" Hendry. Much speculation surrounds the role Boston mob boss and then fugitive James "Whitey" Bulger may have played in the caper:
"In 1990 at the time of the Gardner heist, Whitey Bulger was the absolute lord and master of the Irish underworld... Whitey Bulger had a dark presence that cast a very long shadow over Boston. Chilling is the word... He ruled through violence and intimidation and fear.... In this town, if a consortium of thugs pulled off the Gardner heist, Whitey Bulger would hear about it in two seconds flat. "

By the end of the film, the investigation has widened to include IRA connections and never realized plans to use Senator Ted Kennedy as a go-between to negotiate for return of the stolen work. Art detective Harold Smith stayed on the trail of the theft until just a week before he died in 2005, and many others continue the hunt to this day.

James "Whitey" Bulger was arrested by the FBI in June of this year and is in custody in Boston charged with 19 counts of murder. Some speculate that Bulger knows the whereabouts of the stolen Gardner paintings and is using the information as a get-out-of-jail free card.

We can only wait and hope!

1 comment:

Charles Vincent Sabba said...

The guy who wrote this sciochezza spoke to a coupel interesting gents, but he didn't have the insight to speak to the right fellows now, did he? Now that Whitey has been pinched and the authorities have come up dry, it is apparent that all of the believers in the Whitey-Tooth-Fairey didn't have a clue of what they were talking about. We have been saying all along that Whitey-the-White-Topo Gigio didn't know Jack-Merde about the whereabouts of the paintings. Wrong Irish Boston Boss and wrong Irish Boston Gang. Sorry ladies and gents, Whitey has been locked up and has absolutely Jack-Merde to give you. He is now an old broken down valise with absolutely no info to give up and our nation's priceless cultural treasures are still in the wind. But there still may be a small ray of sunshine that can break through this dark abyss and true defenders of the art world who are dedicated ONLY to art and rise above the bullshit do still exist and create in the essence of the Universe's creative force! B.O.L.O.- Be On The Look Out for interesting posts on 's Roll Call page and watch all the Bozo the Clown art and law enforcement egos sit up straight on the edge of their seats! Whitey knows nothing! (Exerpts will be posted on and full text will be on )It is time to do this.