Vermeer's The Concert

Vermeer's The Concert

Monday, November 13, 2006

Nazi Sympathy Rears its Ugly Head Officially Within German Govt


The Audacity of the

Germans,

How Dare They !!!!


German crisis meeting called on Nazi art sale
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By Tony paterson in Berlin and additional reporting by David Cox in New York

The German government has called a crisis meeting about how it deals with art sold by or confiscated from Jews under the Nazis after controversy over paintings restored to their original families only to be auctioned for vast sums abroad.

Angela Merkel, the chancellor, has summoned culture ministers and museum directors from Germany's 16 federal states next week to discuss an overhaul of the "restitution" law, which critics say is stripping the country's museums of important works. The "Sonderweg" still alive and kicking in the German ethos.

If stripping German Museums is a worry for the German people, then they should pay current market value for any, I repeat any, works of art that are deemed to be "Unlawful"

The fact that it has taken over Sixty years to give back what was so shamefully stolen, seized, and duped from victims, yes, remember, the Nazi victims, yeah that's right, those Six, I repeat Six million innocent human beings slaughtered.

The sheer audacity of the German govt makes my blood boil, steam coming out of my ears and sheer outrage that these supposed Honourable German Officials would stoop so low to attempt to keep any works of art cheaper than the going market rate.

If Germany wants these works of art for its people to view then they should pay whatever it takes to buy them legitimately, at auction.

Because that is what they are up too, the Germans want to set up some form of scheme that pays money to victims of "Nasty Nazi looting" that way they keep the art and can bargin down the price. The prices achieved recently show that records will be broken and unpresidented amounts paid.

Under the law, paintings and sculptures that were parted with under duress must be returned to their owners or their heirs. But a heated debate over the way the law is operating was fuelled last week by two dramatic developments on the international art market: the sale of an important Expressionist work for a record price in New York, and an attempt through the courts to block the auction of a Picasso, owned by the Andrew Lloyd Webber Art Foundation.

The painting, Berlin Street Scene by Ernst Ludwig Kirchner, was auctioned by Christie's for $38 million (£21 million), just months after it was removed from a Berlin museum and returned to a granddaughter of its original Jewish owners – Anita Halpin, chairman of the Communist Party of Great Britain.

Through the auction house she sold it to Ron Lauder, heir to the Estée Lauder cosmetics empire, who intends to display the painting at his Neue Gallerie in New York.

Mr Lauder bought these paintings lawfully, honestly, and without any undue duress or evil intentions, he is going to display them publicly, if the German museum wanted to buy these paintings for the German nation then the German govt should have, "looked big , and paid up".

With all the billions in the Germanic coffers, say $1 billion for buying back unlawful art, in full public view, would have sent a clear message that Germany has mostly resolved its subhuman recent past, and the good publicity generated by publicaly paying market value for looted art would also be worth millions to the German economy,paradoxically , by Jewish people visiting Germany and spending tourist dollars


The rapid sale of the painting has provoked art lovers and museum directors to complain that Germany's artistic heritage is being spirited away from public view and sold off for millions to private collectors. Well, welcome to the Human world, "spirited away" is trying to turn the argument around so it looks like the real Jewish Victims become villans.
This blatent anti-semitism is so predictable, and so transparent, it saddens me that there is not even an attempt to hide it.


Critics claim that collectors have encouraged the former Jewish owners to seek the return of the paintings from Germany, then sought to acquire the work for themselves at auction. There are fears that a similar fate awaits at least 50 other key works by Kirchner and the German Expressionists August Macke, Lyonel Feininger and Franz Marc, whose paintings hang in the nation's museums and art galleries. "The sale of the Kirchner was just the beginning," said Michael Sontheimer, a German arts commentator. Bloods boiling, Remember Krystal Night? Remember all the German ills being blamed on the "Jews"

This paragraph sickens me, the line,"The sale of the Kirchner was just the beginning," Sound familiar? Nazi propaganda?

Here's a kicker, "Critics claim that collectors have encouraged the former Jewish owners to seek the return of the paintings from Germany, then sought to acquire the work for themselves at auction." Another stab at the "Zionist" conspiracy theory.

Enough already !! where do these German folks get off on their "Superiority complex" the sheer arrogance of Germanic Nationalism.



But last night Mr Lauder hit back at the critics, insisting he had purchased only two such works of art - the Kirchner and Gustav Klimt's Portrait of Adele Bloch-Bauer – and that both would be on public display. He said he had nothing to do with the restitution of the Kirchner.

"In both cases, the art will be seen by millions of people in New York. The Klimt is on public show, the other will be on view in the future," he told The Sunday Telegraph. "It is not being 'spirited away', as they say. There is billions of dollars of art that was stolen, and only a small fraction has come back."

As America's then ambassador to Austria, he was an advocate of restitution laws adopted during the late 1990s, and said the former owners and their heirs had every right to reclaim art that had been stolen from them.

"Remember how it got there in the first place," he said. "The owners were either killed or sent to Auschwitz. German museums were only too ready to buy this stuff. These were people who died because they were Jewish. Art Hostage firmly believes that their memory must not be sold, "on the cheap"

"These works have been restituted; they are going back to people all around the world who lived most of their lives penniless because a great asset was taken away. To only get it back at the end of their lives – it's criminal. It is not great quantities, it is a few pieces."

Bernd Neumann, Germany's culture minister and the man who will chair the meeting next week, has expressed alarm at the impact of the restitution claims on national collections. Perhaps German ministers should take in a diet of bread and water, stop all junkets, then use that money towards a "Restitution fund" in order to do the decent, honourable thing, buy back the artworks at full market value.

Meanwhile, Martin Roth, the director of Dresden's art museum, said last week that were it not for the system of restitution, collectors "would never have dreamt of acquiring such works" which had previously been regarded as beyond their reach, in museums. Talk about
"Sour grapes" this is so juvenile, I bet he is green with envy, quite right too !


"Paintings formerly owned by Jews which found their way into German museums because of injustice have to be handed back – period," he said. "But if these heirs are being exploited by the market, I have the right to criticise. It is my duty to protect the state's art collections. What hangs in our museums belongs to every citizen." Stop right there !! You bastard, you arrogant Germanic sub-human filth, these paintings do not belong to every German citizen, you elitist fuckpig, these paintings were taken, sometimes with the threat of death, sometimes as a result of death, from innocent victims of Nazi German demons, and you have the sheer audacity to comment that you have a fucking duty, the duty you have is the human race.

Your duty to protect the states art collections over the memory of the millions of innocent human beings murdered by sub-human Germans, demonstrates the Nazi doctine is still there, if the scab/veneer is lifted.


Some art historians maintain that the Kirchner, which the Berlin city authorities returned in July to Mrs Halpin, should not have been considered for restitution because the painting had been sold during the 1930s, at what was then a fair price, to a friend of the owner, Alfred Hess.

Last week, the German historian Julius Schoeps issued a last-minute claim to the Picasso painting, Portrait de Angel Fernandez de Soto which was due for auction in New York.

Prof Schoeps claims that the Picasso once belonged to his ancestor, Paul von Mendelssohn-Bartholdy, who sold many paintings at knockdown prices during the 1930s. His intervention forced Christie's to withdraw the work. However, a judge dismissed his claims.

Erika Jakubovits, executive director of the Presidency of the Jewish Community of Vienna, was critical of Prof Schoeps.

"Holding back a claim and bringing legal action at the last minute is a reckless action and causes harm to the restitution community in general," she said. "Such complex matters are better addressed through orderly, timely and open discussion."
Typical, "The Jewish Olive branch" held out again in friendship, even under the most vicious, nasty, elitist, German attack.

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